Stonington Gray vs RAL 110-5
Where Stonington Gray belongs to Benjamin Moore's range, RAL 110-5 is a RAL Effect color. Stonington Gray reads as grey, while RAL 110-5 reads as green-grey — two distinct hue families, not close cousins. They have nearly identical light reflectance values (59 vs 59), so they'll read as similarly Light in most lighting conditions. At ΔE 0.8, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Stonington Gray vs RAL 110-5 in Real Spaces
4 real rooms side by side. Stonington Gray and RAL 110-5 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Stonington Gray vs RAL 110-5 Simulated Comparison
5 simulated room previews — drag the slider on each to see Stonington Gray on one side and RAL 110-5 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Stonington Gray comparisons
See how Stonington Gray stacks up against other well-photographed colors across different brands and tones.
A 10-point LRV gap (69 vs 59) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where Stonington Gray encloses it.
Stonington Gray reflects far more light (LRV 59 vs 6), opening up a space where Iron Ore encloses it.
A 7-point LRV gap (59 vs 52) makes Stonington Gray the marginally brighter of the two.
At LRV 59 vs 30, Stonington Gray is decisively the brighter choice.
Stonington Gray reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 59), so neither reads brighter in a room.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
Stonington Gray reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, Stonington Gray is decisively the brighter choice.
At LRV 59 vs 4, Stonington Gray is decisively the brighter choice.
Stonington Gray reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
Stonington Gray reflects far more light (LRV 59 vs 13), opening up a space where Bancha encloses it.
Stonington Gray reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
At LRV 59 vs 21, Stonington Gray is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where Stonington Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 59), opening up a space where Stonington Gray encloses it.
A 9-point LRV gap (59 vs 51) makes Stonington Gray the marginally brighter of the two.
Stonington Gray reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
Stonington Gray reflects far more light (LRV 59 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 41, Stonington Gray is decisively the brighter choice.
Stonington Gray reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
Stonington Gray reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, Stonington Gray is decisively the brighter choice.