Tate Olive vs RAL 110-1
Where Tate Olive belongs to Benjamin Moore's range, RAL 110-1 is a RAL Effect color. Tate Olive reads as greige-grey, while RAL 110-1 reads as white — two distinct hue families, not close cousins. RAL 110-1 (LRV 80) reflects noticeably more light than Tate Olive (LRV 22), a difference of 58 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 41.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Tate Olive vs RAL 110-1 in Real Spaces
4 real rooms side by side. Seeing Tate Olive and RAL 110-1 in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that RAL 110-1 will make the room feel meaningfully brighter than Tate Olive would.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Tate Olive.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. RAL 110-1 reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Color Details
Tate Olive vs RAL 110-1 Simulated Comparison
5 simulated room previews — drag the slider on each to see Tate Olive on one side and RAL 110-1 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tate Olive comparisons
See how Tate Olive stacks up against other well-photographed colors across different brands and tones.
