Tate Olive vs Mizzle
Tate Olive (Benjamin Moore) and Mizzle (Farrow & Ball) come from different manufacturers. Hue-wise, Tate Olive belongs to the greige-grey family and Mizzle to the grey family. The 30-point LRV gap — 52 for Mizzle vs 22 for Tate Olive — means Mizzle will open up a space more effectively. Where Tate Olive leans yellow, Mizzle reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 25.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Tate Olive vs Mizzle in Real Spaces
4 real rooms side by side. Seeing Tate Olive and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Mizzle reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Mizzle returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Mizzle returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Mizzle returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Tate Olive vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see Tate Olive on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tate Olive comparisons
See how Tate Olive stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Tate Olive encloses it.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
At LRV 22 vs 6, Tate Olive is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Tate Olive encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Tate Olive encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Tate Olive encloses it.
Tate Olive reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Tate Olive the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Tate Olive encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 22), opening up a space where Tate Olive encloses it.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 22 vs 8, Tate Olive is decisively the brighter choice.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Tate Olive encloses it.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
Tate Olive reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.