Tate Olive vs Pine Needle
Tate Olive is a Benjamin Moore color while Pine Needle comes from Dulux. Tate Olive reads as greige-grey, while Pine Needle reads as green — two distinct hue families, not close cousins. At LRV 22 vs 7, Tate Olive will read as the brighter of the two — a 15-point gap that matters most in north-facing or low-light rooms. The tonal difference — Tate Olive's yellow character against Pine Needle's cool — becomes most visible against white trim or in morning light. At ΔE 29.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Tate Olive vs Pine Needle in Real Spaces
2 real rooms side by side. Seeing Tate Olive and Pine Needle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Tate Olive returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Tate Olive will make the room feel meaningfully brighter than Pine Needle would.
Color Details
Tate Olive vs Pine Needle Simulated Comparison
5 simulated room previews — drag the slider on each to see Tate Olive on one side and Pine Needle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tate Olive comparisons
See how Tate Olive stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Tate Olive encloses it.
At LRV 22 vs 6, Tate Olive is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Tate Olive encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Tate Olive encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Tate Olive encloses it.
Tate Olive reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Tate Olive the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Tate Olive encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Tate Olive encloses it.
Calamine reflects far more light (LRV 68 vs 22), opening up a space where Tate Olive encloses it.
Treron reads slightly lighter (LRV 25 vs 22), a gap that shows most in low-lit rooms.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
With LRVs of 24 and 22, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 22), opening up a space where Tate Olive encloses it.
Just Walnut reflects far more light (LRV 72 vs 22), opening up a space where Tate Olive encloses it.