Through the Looking Glass vs Snowbound

Through the Looking Glass (Benjamin Moore) and Snowbound (Sherwin-Williams) come from different manufacturers. Hue-wise, Through the Looking Glass belongs to the grey family and Snowbound to the beige-greige family. The 32-point LRV gap — 83 for Snowbound vs 51 for Through the Looking Glass — means Snowbound will open up a space more effectively. Where Through the Looking Glass leans red, Snowbound reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 16.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.

Color Details

Through the Looking Glass
Benjamin Moore · CSP-495
LRV51.0
BrandBenjamin Moore
NumberCSP-495
UndertoneRed
TemperatureNeutral
BrightnessMedium
Snowbound
Sherwin-Williams · 7004
LRV82.8
BrandSherwin-Williams
Number7004
Undertone
TemperatureWarm
BrightnessLight

Through the Looking Glass vs Snowbound Simulated Comparison

5 simulated room previews — drag the slider on each to see Through the Looking Glass on one side and Snowbound on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Through the Looking Glass comparisons

See how Through the Looking Glass stacks up against other well-photographed colors across different brands and tones.

Ammonite
Through the Looking Glass
Ammonite
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 51, Ammonite is decisively the brighter choice.

White Dove
Through the Looking Glass
White Dove
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

White Dove reflects far more light (LRV 83 vs 51), opening up a space where Through the Looking Glass encloses it.

Iron Ore
Through the Looking Glass
Iron Ore
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Through the Looking Glass
Purbeck Stone

Their light reflectance is nearly identical (LRV 52 vs 51), so neither reads brighter in a room.

Evergreen Fog
Through the Looking Glass
Evergreen Fog

At LRV 51 vs 30, Through the Looking Glass is decisively the brighter choice.

Mizzle
Through the Looking Glass
Mizzle
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Farrow & Ball
Mizzle
LRV 52

With LRVs of 52 and 51, the two reflect almost the same amount of light.

Agreeable Gray
Through the Looking Glass
Agreeable Gray

A 9-point LRV gap (60 vs 51) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
Through the Looking Glass
Accessible Beige

Accessible Beige reads slightly lighter (LRV 58 vs 51), a gap that shows most in low-lit rooms.

Denim Drift
Through the Looking Glass
Denim Drift
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Through the Looking Glass
French Gray
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

A 8-point LRV gap (51 vs 43) makes Through the Looking Glass the marginally brighter of the two.

Naval
Through the Looking Glass
Naval
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Sherwin-Williams
Naval
LRV 4

At LRV 51 vs 4, Through the Looking Glass is decisively the brighter choice.

Tranquil Dawn
Through the Looking Glass
Tranquil Dawn

Tranquil Dawn reads slightly lighter (LRV 55 vs 51), a gap that shows most in low-lit rooms.

Bancha
Through the Looking Glass
Bancha
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Farrow & Ball
Bancha
LRV 13

Through the Looking Glass reflects far more light (LRV 51 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Through the Looking Glass
Hardwick White

Through the Looking Glass reads slightly lighter (LRV 51 vs 44), a gap that shows most in low-lit rooms.

Pure White
Through the Looking Glass
Pure White
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 84 vs 51, Pure White is decisively the brighter choice.

Artichoke
Through the Looking Glass
Artichoke
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Sherwin-Williams
Artichoke
LRV 21

At LRV 51 vs 21, Through the Looking Glass is decisively the brighter choice.

Balboa Mist
Balboa Mist
Through the Looking Glass
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Balboa Mist reflects far more light (LRV 66 vs 51), opening up a space where Through the Looking Glass encloses it.

Shoji White
Through the Looking Glass
Shoji White
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Shoji White reflects far more light (LRV 74 vs 51), opening up a space where Through the Looking Glass encloses it.

Pigeon
Through the Looking Glass
Pigeon
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Farrow & Ball
Pigeon
LRV 51

Their light reflectance is nearly identical (LRV 51 vs 51), so neither reads brighter in a room.

Pewter Green
Through the Looking Glass
Pewter Green
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 12), opening up a space where Pewter Green encloses it.

Duck Green
Through the Looking Glass
Duck Green
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 8), opening up a space where Duck Green encloses it.

Skimming Stone
Through the Looking Glass
Skimming Stone

Skimming Stone reflects far more light (LRV 68 vs 51), opening up a space where Through the Looking Glass encloses it.

Dix Blue
Through the Looking Glass
Dix Blue
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Farrow & Ball
Dix Blue
LRV 41

A 10-point LRV gap (51 vs 41) makes Through the Looking Glass the marginally brighter of the two.

Hicks' Blue
Through the Looking Glass
Hicks' Blue

Through the Looking Glass vs Hicks' Blue

Slaked Lime Deep
Through the Looking Glass
Slaked Lime Deep

Through the Looking Glass vs Slaked Lime Deep

Vintage Vogue
Through the Looking Glass
Vintage Vogue

Through the Looking Glass reflects far more light (LRV 51 vs 12), opening up a space where Vintage Vogue encloses it.

Livid
Through the Looking Glass
Livid

Through the Looking Glass vs Livid

Saybrook Sage
Saybrook Sage
Through the Looking Glass

Through the Looking Glass reads slightly lighter (LRV 51 vs 45), a gap that shows most in low-lit rooms.

Pale Green
Through the Looking Glass
Pale Green
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
RAL ClassicClassic
Pale Green
LRV 31

At LRV 51 vs 31, Through the Looking Glass is decisively the brighter choice.

Pine Needle
Through the Looking Glass
Pine Needle
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 51 vs 7, Through the Looking Glass is decisively the brighter choice.