Upper West Side vs Agreeable Gray
Upper West Side (Benjamin Moore) and Agreeable Gray (Sherwin-Williams) come from different manufacturers. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. The 21-point LRV gap — 60 for Agreeable Gray vs 39 for Upper West Side — means Agreeable Gray will open up a space more effectively. Where Upper West Side leans red, Agreeable Gray reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 13.2 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Upper West Side vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Upper West Side on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Upper West Side comparisons
See how Upper West Side stacks up against other well-photographed colors across different brands and tones.
