Upper West Side vs Iron Ore
Upper West Side is a Benjamin Moore color while Iron Ore comes from Sherwin-Williams. Upper West Side reads as greige-grey, while Iron Ore reads as grey — two distinct hue families, not close cousins. At LRV 39 vs 6, Upper West Side will read as the brighter of the two — a 34-point gap that matters most in north-facing or low-light rooms. The tonal difference — Upper West Side's red character against Iron Ore's neutral — becomes most visible against white trim or in morning light. At ΔE 41.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Upper West Side vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Upper West Side on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Upper West Side comparisons
See how Upper West Side stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 39, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 39), opening up a space where Upper West Side encloses it.
Purbeck Stone reflects far more light (LRV 52 vs 39), opening up a space where Upper West Side encloses it.
Upper West Side reads slightly lighter (LRV 39 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 39, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 39), opening up a space where Upper West Side encloses it.
At LRV 58 vs 39, Accessible Beige is decisively the brighter choice.
At LRV 39 vs 27, Upper West Side is decisively the brighter choice.
French Gray reads slightly lighter (LRV 43 vs 39), a gap that shows most in low-lit rooms.
Upper West Side reflects far more light (LRV 39 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 39, Tranquil Dawn is decisively the brighter choice.
At LRV 39 vs 13, Upper West Side is decisively the brighter choice.
A 5-point LRV gap (44 vs 39) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 39), opening up a space where Upper West Side encloses it.
Upper West Side reflects far more light (LRV 39 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 39, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 39, Shoji White is decisively the brighter choice.
At LRV 83 vs 39, Snowbound is decisively the brighter choice.
At LRV 39 vs 12, Upper West Side is decisively the brighter choice.
At LRV 68 vs 39, Skimming Stone is decisively the brighter choice.
With LRVs of 41 and 39, the two reflect almost the same amount of light.
Calamine reflects far more light (LRV 68 vs 39), opening up a space where Upper West Side encloses it.
Upper West Side reflects far more light (LRV 39 vs 25), opening up a space where Treron encloses it.
At LRV 39 vs 12, Upper West Side is decisively the brighter choice.
A 6-point LRV gap (45 vs 39) makes Saybrook Sage the marginally brighter of the two.
Upper West Side reads slightly lighter (LRV 39 vs 31), a gap that shows most in low-lit rooms.
Upper West Side reflects far more light (LRV 39 vs 7), opening up a space where Pine Needle encloses it.
Upper West Side reflects far more light (LRV 39 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 39), opening up a space where Upper West Side encloses it.
Just Walnut reflects far more light (LRV 72 vs 39), opening up a space where Upper West Side encloses it.