Burnt Umber vs Purbeck Stone
Burnt Umber (Cloverdale Paint) and Purbeck Stone (Farrow & Ball) come from different manufacturers. Burnt Umber reads as beige-pink, while Purbeck Stone reads as greige-grey — two distinct hue families, not close cousins. The 43-point LRV gap — 52 for Purbeck Stone vs 9 for Burnt Umber — means Purbeck Stone will open up a space more effectively. A ΔE of 42.3 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Burnt Umber vs Purbeck Stone in Real Spaces
5 real rooms side by side. Seeing Burnt Umber and Purbeck Stone in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Purbeck Stone reflects noticeably more light off the walls, making the space read more open than Burnt Umber.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Purbeck Stone returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Purbeck Stone returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that Purbeck Stone will make the room feel meaningfully brighter than Burnt Umber would.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Purbeck Stone returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Burnt Umber vs Purbeck Stone Simulated Comparison
5 simulated room previews — drag the slider on each to see Burnt Umber on one side and Purbeck Stone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Burnt Umber comparisons
See how Burnt Umber stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 9, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Burnt Umber encloses it.
A 3-point LRV gap (9 vs 6) makes Burnt Umber the marginally brighter of the two.
Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 52 vs 9, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 9, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 9), opening up a space where Burnt Umber encloses it.
Burnt Umber reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.
At LRV 44 vs 9, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 9), opening up a space where Burnt Umber encloses it.
Artichoke reflects far more light (LRV 21 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 9, Shoji White is decisively the brighter choice.
At LRV 83 vs 9, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Burnt Umber encloses it.
Calamine reflects far more light (LRV 68 vs 9), opening up a space where Burnt Umber encloses it.
Treron reflects far more light (LRV 25 vs 9), opening up a space where Burnt Umber encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Burnt Umber encloses it.
With LRVs of 9 and 7, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 9), opening up a space where Burnt Umber encloses it.
Guilford Green reflects far more light (LRV 57 vs 9), opening up a space where Burnt Umber encloses it.
Just Walnut reflects far more light (LRV 72 vs 9), opening up a space where Burnt Umber encloses it.