Burnt Umber vs Agreeable Gray
Burnt Umber is a Cloverdale Paint color while Agreeable Gray comes from Sherwin-Williams. Hue-wise, Burnt Umber belongs to the beige-pink family and Agreeable Gray to the greige-grey family. At LRV 60 vs 9, Agreeable Gray will read as the brighter of the two — a 52-point gap that matters most in north-facing or low-light rooms. At ΔE 46.9, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Burnt Umber vs Agreeable Gray in Real Spaces
5 real rooms side by side. Seeing Burnt Umber and Agreeable Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Agreeable Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Agreeable Gray will make the room feel meaningfully brighter than Burnt Umber would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Agreeable Gray will make the room feel meaningfully brighter than Burnt Umber would.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Agreeable Gray reflects noticeably more light off the walls, making the space read more open than Burnt Umber.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Agreeable Gray will make the room feel meaningfully brighter than Burnt Umber would.
Color Details
Burnt Umber vs Agreeable Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Burnt Umber on one side and Agreeable Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Burnt Umber comparisons
See how Burnt Umber stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 9, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Burnt Umber encloses it.
A 3-point LRV gap (9 vs 6) makes Burnt Umber the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 9), opening up a space where Burnt Umber encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 52 vs 9, Mizzle is decisively the brighter choice.
At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 9, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 9), opening up a space where Burnt Umber encloses it.
Burnt Umber reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.
At LRV 44 vs 9, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 9), opening up a space where Burnt Umber encloses it.
Artichoke reflects far more light (LRV 21 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 9, Shoji White is decisively the brighter choice.
At LRV 83 vs 9, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Burnt Umber encloses it.
Calamine reflects far more light (LRV 68 vs 9), opening up a space where Burnt Umber encloses it.
Treron reflects far more light (LRV 25 vs 9), opening up a space where Burnt Umber encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Burnt Umber encloses it.
With LRVs of 9 and 7, the two reflect almost the same amount of light.
Cement grey reflects far more light (LRV 24 vs 9), opening up a space where Burnt Umber encloses it.
Guilford Green reflects far more light (LRV 57 vs 9), opening up a space where Burnt Umber encloses it.
Just Walnut reflects far more light (LRV 72 vs 9), opening up a space where Burnt Umber encloses it.