In the Blue vs Hardwick White
In the Blue (Cloverdale Paint) and Hardwick White (Farrow & Ball) come from different manufacturers. In the Blue reads as blue, while Hardwick White reads as greige-grey — two distinct hue families, not close cousins. Their light reflectance values are nearly the same — 43 vs 44 — so neither will read significantly brighter or darker than the other. A ΔE of 15.9 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
In the Blue vs Hardwick White in Real Spaces
5 real rooms side by side. Seeing In the Blue and Hardwick White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
In the Blue vs Hardwick White Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Blue on one side and Hardwick White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Blue comparisons
See how In the Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 43, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 43), opening up a space where In the Blue encloses it.
In the Blue reflects far more light (LRV 43 vs 6), opening up a space where Iron Ore encloses it.
A 9-point LRV gap (52 vs 43) makes Purbeck Stone the marginally brighter of the two.
At LRV 43 vs 30, In the Blue is decisively the brighter choice.
Mizzle reads slightly lighter (LRV 52 vs 43), a gap that shows most in low-lit rooms.
At LRV 60 vs 43, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 43), opening up a space where In the Blue encloses it.
In the Blue reflects far more light (LRV 43 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 43), so neither reads brighter in a room.
At LRV 43 vs 4, In the Blue is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 43), opening up a space where In the Blue encloses it.
In the Blue reflects far more light (LRV 43 vs 13), opening up a space where Bancha encloses it.
At LRV 84 vs 43, Pure White is decisively the brighter choice.
At LRV 43 vs 21, In the Blue is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 43), opening up a space where In the Blue encloses it.
Shoji White reflects far more light (LRV 74 vs 43), opening up a space where In the Blue encloses it.
Snowbound reflects far more light (LRV 83 vs 43), opening up a space where In the Blue encloses it.
A 8-point LRV gap (51 vs 43) makes Pigeon the marginally brighter of the two.
In the Blue reflects far more light (LRV 43 vs 12), opening up a space where Pewter Green encloses it.
In the Blue reflects far more light (LRV 43 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 43), opening up a space where In the Blue encloses it.
Their light reflectance is nearly identical (LRV 43 vs 41), so neither reads brighter in a room.
In the Blue reflects far more light (LRV 43 vs 12), opening up a space where Vintage Vogue encloses it.
With LRVs of 45 and 43, the two reflect almost the same amount of light.
A 12-point LRV gap (43 vs 31) makes In the Blue the marginally brighter of the two.
At LRV 43 vs 7, In the Blue is decisively the brighter choice.