In the Blue vs Mizzle
Where In the Blue belongs to Cloverdale Paint's range, Mizzle is a Farrow & Ball color. Hue-wise, In the Blue belongs to the blue family and Mizzle to the grey family. Mizzle (LRV 52) reflects noticeably more light than In the Blue (LRV 43), a difference of 9 points that becomes especially apparent in rooms with limited natural light. With a ΔE of 15.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
In the Blue vs Mizzle in Real Spaces
5 real rooms side by side. Seeing In the Blue and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Mizzle will make the room feel meaningfully brighter than In the Blue would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Mizzle reflects noticeably more light off the walls, making the space read more open than In the Blue.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Mizzle reflects noticeably more light off the walls, making the space read more open than In the Blue.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Mizzle returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Mizzle reflects noticeably more light off the walls, making the space read more open than In the Blue.
Color Details
In the Blue vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see In the Blue on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More In the Blue comparisons
See how In the Blue stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 43, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 43), opening up a space where In the Blue encloses it.
In the Blue reflects far more light (LRV 43 vs 6), opening up a space where Iron Ore encloses it.
A 9-point LRV gap (52 vs 43) makes Purbeck Stone the marginally brighter of the two.
At LRV 43 vs 30, In the Blue is decisively the brighter choice.
At LRV 60 vs 43, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 43), opening up a space where In the Blue encloses it.
In the Blue reflects far more light (LRV 43 vs 27), opening up a space where Denim Drift encloses it.
Their light reflectance is nearly identical (LRV 43 vs 43), so neither reads brighter in a room.
At LRV 43 vs 4, In the Blue is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 43), opening up a space where In the Blue encloses it.
In the Blue reflects far more light (LRV 43 vs 13), opening up a space where Bancha encloses it.
With LRVs of 44 and 43, the two reflect almost the same amount of light.
At LRV 84 vs 43, Pure White is decisively the brighter choice.
At LRV 43 vs 21, In the Blue is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 43), opening up a space where In the Blue encloses it.
Shoji White reflects far more light (LRV 74 vs 43), opening up a space where In the Blue encloses it.
Snowbound reflects far more light (LRV 83 vs 43), opening up a space where In the Blue encloses it.
A 8-point LRV gap (51 vs 43) makes Pigeon the marginally brighter of the two.
In the Blue reflects far more light (LRV 43 vs 12), opening up a space where Pewter Green encloses it.
In the Blue reflects far more light (LRV 43 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 43), opening up a space where In the Blue encloses it.
Their light reflectance is nearly identical (LRV 43 vs 41), so neither reads brighter in a room.
In the Blue reflects far more light (LRV 43 vs 12), opening up a space where Vintage Vogue encloses it.
With LRVs of 45 and 43, the two reflect almost the same amount of light.
A 12-point LRV gap (43 vs 31) makes In the Blue the marginally brighter of the two.
At LRV 43 vs 7, In the Blue is decisively the brighter choice.