
Oak Tone vs Clay Figurine
Oak Tone is a Cloverdale Paint color while Clay Figurine comes from Valspar. Hue-wise, Oak Tone belongs to the beige-greige family and Clay Figurine to the greige-grey family. At LRV 58 vs 54, Oak Tone will read as the brighter of the two — a 4-point gap that matters most in north-facing or low-light rooms. At ΔE 3.1, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Oak Tone vs Clay Figurine in Real Spaces
2 real rooms side by side. Oak Tone and Clay Figurine are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Oak Tone has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Oak Tone gives the walls a little more lift.
Color Details
Oak Tone vs Clay Figurine Simulated Comparison
5 simulated room previews — drag the slider on each to see Oak Tone on one side and Clay Figurine on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Oak Tone comparisons
See how Oak Tone stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 58), opening up a space where Oak Tone encloses it.


A 6-point LRV gap (58 vs 52) makes Oak Tone the marginally brighter of the two.


At LRV 58 vs 30, Oak Tone is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.



With LRVs of 58 and 58, the two reflect almost the same amount of light.


Oak Tone reflects far more light (LRV 58 vs 27), opening up a space where Denim Drift encloses it.


At LRV 58 vs 43, Oak Tone is decisively the brighter choice.


Oak Tone reads slightly lighter (LRV 58 vs 55), a gap that shows most in low-lit rooms.


Oak Tone reflects far more light (LRV 58 vs 44), opening up a space where Hardwick White encloses it.


At LRV 84 vs 58, Pure White is decisively the brighter choice.


Balboa Mist reads slightly lighter (LRV 66 vs 58), a gap that shows most in low-lit rooms.


Shoji White reflects far more light (LRV 74 vs 58), opening up a space where Oak Tone encloses it.


Oak Tone reflects far more light (LRV 58 vs 12), opening up a space where Pewter Green encloses it.


Oak Tone reflects far more light (LRV 58 vs 8), opening up a space where Duck Green encloses it.


Skimming Stone reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.


Oak Tone reflects far more light (LRV 58 vs 12), opening up a space where Vintage Vogue encloses it.


Oak Tone reflects far more light (LRV 58 vs 45), opening up a space where Saybrook Sage encloses it.


At LRV 58 vs 31, Oak Tone is decisively the brighter choice.



























