Rye vs Cinnamon Scone
Rye (Cloverdale Paint) and Cinnamon Scone (Valspar) come from different manufacturers. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. The 3-point LRV gap — 32 for Rye vs 29 for Cinnamon Scone — means Rye will open up a space more effectively. ΔE 5.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Rye vs Cinnamon Scone in Real Spaces
1 real room side by side. Rye and Cinnamon Scone are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Rye vs Cinnamon Scone Simulated Comparison
5 simulated room previews — drag the slider on each to see Rye on one side and Cinnamon Scone on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Rye comparisons
See how Rye stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 32), opening up a space where Rye encloses it.
At LRV 52 vs 32, Purbeck Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 32 vs 30), so neither reads brighter in a room.
At LRV 60 vs 32, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 32), opening up a space where Rye encloses it.
Rye reads slightly lighter (LRV 32 vs 27), a gap that shows most in low-lit rooms.
A 11-point LRV gap (43 vs 32) makes French Gray the marginally brighter of the two.
Tranquil Dawn reflects far more light (LRV 55 vs 32), opening up a space where Rye encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 32), a gap that shows most in low-lit rooms.
At LRV 84 vs 32, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 32), opening up a space where Rye encloses it.
Shoji White reflects far more light (LRV 74 vs 32), opening up a space where Rye encloses it.
Rye reflects far more light (LRV 32 vs 12), opening up a space where Pewter Green encloses it.
Rye reflects far more light (LRV 32 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 32), opening up a space where Rye encloses it.
Rye reflects far more light (LRV 32 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reflects far more light (LRV 45 vs 32), opening up a space where Rye encloses it.
Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room.