When Red Met Blue vs French Gray

When Red Met Blue (Cloverdale Paint) and French Gray (Farrow & Ball) come from different manufacturers. When Red Met Blue reads as blue-purple, while French Gray reads as beige-greige — two distinct hue families, not close cousins. The 34-point LRV gap — 43 for French Gray vs 9 for When Red Met Blue — means French Gray will open up a space more effectively. A ΔE of 51.6 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

When Red Met Blue vs French Gray in Real Spaces

4 real rooms side by side. Seeing When Red Met Blue and French Gray in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. French Gray reflects noticeably more light off the walls, making the space read more open than When Red Met Blue.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Living Room

@visualization

French GrayFarrow and Ball 18 living room paint

@over_at_overview

Bedroom

Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. French Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Bedroom

@visualization

French GrayFarrow and Ball French Gray bedroom color review

@renovating_a_nightmare

Dining Room

Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The LRV gap is large enough that French Gray will make the room feel meaningfully brighter than When Red Met Blue would.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Dining Room

@visualization

French GrayFarrow and Ball 18 dining room color

@kenliscountry_

Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. French Gray returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Bathroom

@visualization

French GrayFarrow and Ball French Gray bathroom review

@livingwithchlo_

Color Details

When Red Met Blue
Cloverdale Paint · 1243
Hex#604D7A
LRV9.0
BrandCloverdale Paint
Number1243
Undertone
Temperature
BrightnessDark
French Gray
Farrow & Ball · 18
Hex#b5b19a
LRV43.3
BrandFarrow & Ball
Number18
Undertone
TemperatureWarm
BrightnessMedium

When Red Met Blue vs French Gray Simulated Comparison

5 simulated room previews — drag the slider on each to see When Red Met Blue on one side and French Gray on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More When Red Met Blue comparisons

See how When Red Met Blue stacks up against other well-photographed colors across different brands and tones.

White Dove
When Red Met Blue
White Dove
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

White Dove reflects far more light (LRV 83 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Ammonite
When Red Met Blue
Ammonite
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 9, Ammonite is decisively the brighter choice.

When Red Met Blue
Iron Ore
When Red Met Blue
Iron Ore
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

When Red Met Blue reads slightly lighter (LRV 9 vs 6), a gap that shows most in low-lit rooms.

When Red Met Blue
Purbeck Stone
When Red Met Blue
Purbeck Stone
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.

When Red Met Blue
Evergreen Fog
When Red Met Blue
Evergreen Fog
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.

When Red Met Blue
Mizzle
When Red Met Blue
Mizzle
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Agreeable Gray
When Red Met Blue
Agreeable Gray
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.

When Red Met Blue
Accessible Beige
When Red Met Blue
Accessible Beige

Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Denim Drift
When Red Met Blue
Denim Drift
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Naval
When Red Met Blue
Naval
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Sherwin-Williams
Naval
LRV 4

A 5-point LRV gap (9 vs 4) makes When Red Met Blue the marginally brighter of the two.

When Red Met Blue
Tranquil Dawn
When Red Met Blue
Tranquil Dawn
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Bancha
When Red Met Blue
Bancha
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Bancha
LRV 13

Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.

When Red Met Blue
Hardwick White
When Red Met Blue
Hardwick White
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Pure White
When Red Met Blue
Pure White
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 84 vs 9, Pure White is decisively the brighter choice.

When Red Met Blue
Artichoke
When Red Met Blue
Artichoke
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Sherwin-Williams
Artichoke
LRV 21

At LRV 21 vs 9, Artichoke is decisively the brighter choice.

Balboa Mist
When Red Met Blue
Balboa Mist
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Shoji White
When Red Met Blue
Shoji White
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Shoji White reflects far more light (LRV 74 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Snowbound
When Red Met Blue
Snowbound
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Pewter Green
When Red Met Blue
Pewter Green
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

With LRVs of 12 and 9, the two reflect almost the same amount of light.

When Red Met Blue
Skimming Stone
When Red Met Blue
Skimming Stone
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Dix Blue
When Red Met Blue
Dix Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 9, Dix Blue is decisively the brighter choice.

When Red Met Blue
Calamine
When Red Met Blue
Calamine
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Calamine
LRV 68

At LRV 68 vs 9, Calamine is decisively the brighter choice.

When Red Met Blue
Treron
When Red Met Blue
Treron
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Treron
LRV 25

At LRV 25 vs 9, Treron is decisively the brighter choice.

Vintage Vogue
When Red Met Blue
Vintage Vogue
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

With LRVs of 12 and 9, the two reflect almost the same amount of light.

Saybrook Sage
When Red Met Blue
Saybrook Sage
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Pale Green
When Red Met Blue
Pale Green
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 9, Pale Green is decisively the brighter choice.

When Red Met Blue
Pine Needle
When Red Met Blue
Pine Needle
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Their light reflectance is nearly identical (LRV 9 vs 7), so neither reads brighter in a room.

When Red Met Blue
Cement grey
When Red Met Blue
Cement grey
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
RAL ClassicClassic
Cement grey
LRV 24

At LRV 24 vs 9, Cement grey is decisively the brighter choice.

Guilford Green
When Red Met Blue
Guilford Green
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 57 vs 9, Guilford Green is decisively the brighter choice.

When Red Met Blue
Just Walnut
When Red Met Blue
Just Walnut
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 72 vs 9, Just Walnut is decisively the brighter choice.