When Red Met Blue vs Iron Ore

When Red Met Blue is a Cloverdale Paint color while Iron Ore comes from Sherwin-Williams. When Red Met Blue reads as blue-purple, while Iron Ore reads as grey — two distinct hue families, not close cousins. At LRV 9 vs 6, When Red Met Blue will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. At ΔE 28.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

When Red Met Blue vs Iron Ore in Real Spaces

5 real rooms side by side. Seeing When Red Met Blue and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. When Red Met Blue has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Living Room

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Iron OreIron Ore SW 7069 living room

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Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — When Red Met Blue gives the walls a little more lift.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Bedroom

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Iron OreBedroom painted in Sherwin-Williams Iron Ore

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Kitchen

Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The brightness difference is modest but present — When Red Met Blue gives the walls a little more lift.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Kitchen

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Iron OreSherwin Williams Iron Ore kitchen cabinets

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Dining Room

Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. When Red Met Blue reads slightly lighter here — a subtle but real difference in how open the space feels.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Dining Room

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Iron OreBlack walls in a dining room Sherwin Williams Iron Ore 7069

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Bathroom

Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — When Red Met Blue gives the walls a little more lift.

When Red Met BlueWhen Red Met Blue 1243 by Cloverdale Paint — Bathroom

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Iron OreGray bathroom in Iron Ore by Sherwin Williams

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Color Details

When Red Met Blue
Cloverdale Paint · 1243
LRV9.0
BrandCloverdale Paint
Number1243
Undertone
Temperature
BrightnessDark
Iron Ore
Sherwin-Williams · 7069
LRV5.5
BrandSherwin-Williams
Number7069
Undertone
TemperatureNeutral
BrightnessDark

When Red Met Blue vs Iron Ore Simulated Comparison

5 simulated room previews — drag the slider on each to see When Red Met Blue on one side and Iron Ore on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More When Red Met Blue comparisons

See how When Red Met Blue stacks up against other well-photographed colors across different brands and tones.

When Red Met Blue
Ammonite
When Red Met Blue
Ammonite
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Ammonite
LRV 69

At LRV 69 vs 9, Ammonite is decisively the brighter choice.

White Dove
When Red Met Blue
White Dove
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

White Dove reflects far more light (LRV 83 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Purbeck Stone
When Red Met Blue
Purbeck Stone
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.

When Red Met Blue
Evergreen Fog
When Red Met Blue
Evergreen Fog
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.

When Red Met Blue
Mizzle
When Red Met Blue
Mizzle
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Agreeable Gray
When Red Met Blue
Agreeable Gray
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.

When Red Met Blue
Accessible Beige
When Red Met Blue
Accessible Beige

Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Denim Drift
When Red Met Blue
Denim Drift
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
French Gray
When Red Met Blue
French Gray
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 43 vs 9, French Gray is decisively the brighter choice.

When Red Met Blue
Naval
When Red Met Blue
Naval
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Sherwin-Williams
Naval
LRV 4

A 5-point LRV gap (9 vs 4) makes When Red Met Blue the marginally brighter of the two.

When Red Met Blue
Tranquil Dawn
When Red Met Blue
Tranquil Dawn
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Bancha
When Red Met Blue
Bancha
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Bancha
LRV 13

Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.

When Red Met Blue
Hardwick White
When Red Met Blue
Hardwick White
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Pure White
When Red Met Blue
Pure White
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

At LRV 84 vs 9, Pure White is decisively the brighter choice.

When Red Met Blue
Artichoke
When Red Met Blue
Artichoke
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Sherwin-Williams
Artichoke
LRV 21

At LRV 21 vs 9, Artichoke is decisively the brighter choice.

Balboa Mist
When Red Met Blue
Balboa Mist
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Shoji White
When Red Met Blue
Shoji White
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Shoji White reflects far more light (LRV 74 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Snowbound
When Red Met Blue
Snowbound
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Pigeon
When Red Met Blue
Pigeon
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Pigeon
LRV 51

At LRV 51 vs 9, Pigeon is decisively the brighter choice.

When Red Met Blue
Pewter Green
When Red Met Blue
Pewter Green
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

With LRVs of 12 and 9, the two reflect almost the same amount of light.

When Red Met Blue
Duck Green
When Red Met Blue
Duck Green
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

With LRVs of 9 and 8, the two reflect almost the same amount of light.

When Red Met Blue
Skimming Stone
When Red Met Blue
Skimming Stone
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Dix Blue
When Red Met Blue
Dix Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
Farrow & Ball
Dix Blue
LRV 41

At LRV 41 vs 9, Dix Blue is decisively the brighter choice.

When Red Met Blue
Hicks' Blue
When Red Met Blue
Hicks' Blue

When Red Met Blue vs Hicks' Blue

When Red Met Blue
Slaked Lime Deep
When Red Met Blue
Slaked Lime Deep

When Red Met Blue vs Slaked Lime Deep

Vintage Vogue
When Red Met Blue
Vintage Vogue
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

With LRVs of 12 and 9, the two reflect almost the same amount of light.

When Red Met Blue
Livid
When Red Met Blue
Livid
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

When Red Met Blue vs Livid

Saybrook Sage
When Red Met Blue
Saybrook Sage
When Red Met Blue
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where When Red Met Blue encloses it.

When Red Met Blue
Pale Green
When Red Met Blue
Pale Green
Cloverdale Paint
When Red Met Blue
1243 · LRV 9
RAL ClassicClassic
Pale Green
LRV 31

At LRV 31 vs 9, Pale Green is decisively the brighter choice.

When Red Met Blue
Pine Needle
When Red Met Blue
Pine Needle
Cloverdale Paint
When Red Met Blue
1243 · LRV 9

Their light reflectance is nearly identical (LRV 9 vs 7), so neither reads brighter in a room.