All White vs Mizzle
Both from Farrow & Ball's palette. All White reads as beige-white, while Mizzle reads as grey — two distinct hue families, not close cousins. All White (LRV 94) reflects noticeably more light than Mizzle (LRV 52), a difference of 43 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 20.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
All White vs Mizzle in Real Spaces
3 real rooms side by side. Seeing All White and Mizzle in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that All White will make the room feel meaningfully brighter than Mizzle would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. All White reflects noticeably more light off the walls, making the space read more open than Mizzle.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. All White reflects noticeably more light off the walls, making the space read more open than Mizzle.
Color Details
All White vs Mizzle Simulated Comparison
5 simulated room previews — drag the slider on each to see All White on one side and Mizzle on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More All White comparisons
See how All White stacks up against other well-photographed colors across different brands and tones.
All White reads slightly lighter (LRV 94 vs 83), a gap that shows most in low-lit rooms.
At LRV 94 vs 52, All White is decisively the brighter choice.
At LRV 94 vs 30, All White is decisively the brighter choice.
At LRV 94 vs 60, All White is decisively the brighter choice.
All White reflects far more light (LRV 94 vs 58), opening up a space where Accessible Beige encloses it.
All White reflects far more light (LRV 94 vs 27), opening up a space where Denim Drift encloses it.
At LRV 94 vs 43, All White is decisively the brighter choice.
All White reflects far more light (LRV 94 vs 55), opening up a space where Tranquil Dawn encloses it.
All White reflects far more light (LRV 94 vs 44), opening up a space where Hardwick White encloses it.
A 11-point LRV gap (94 vs 84) makes All White the marginally brighter of the two.
All White reflects far more light (LRV 94 vs 66), opening up a space where Balboa Mist encloses it.
All White reflects far more light (LRV 94 vs 74), opening up a space where Shoji White encloses it.
All White reflects far more light (LRV 94 vs 12), opening up a space where Pewter Green encloses it.
All White reflects far more light (LRV 94 vs 68), opening up a space where Skimming Stone encloses it.
All White reflects far more light (LRV 94 vs 12), opening up a space where Vintage Vogue encloses it.
All White reflects far more light (LRV 94 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 94 vs 31, All White is decisively the brighter choice.
At LRV 94 vs 7, All White is decisively the brighter choice.
At LRV 94 vs 24, All White is decisively the brighter choice.
At LRV 94 vs 57, All White is decisively the brighter choice.
At LRV 94 vs 72, All White is decisively the brighter choice.