Calamine vs Antimony
Where Calamine belongs to Farrow & Ball's range, Antimony is a Sherwin-Williams color. Calamine reads as pink-red, while Antimony reads as grey — two distinct hue families, not close cousins. Calamine (LRV 68) reflects noticeably more light than Antimony (LRV 57), a difference of 10 points that becomes especially apparent in rooms with limited natural light. Calamine runs warm while Antimony is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. The ΔE 9.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 6 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Calamine vs Antimony in Real Spaces
6 real rooms side by side. Calamine and Antimony are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Calamine will make the room feel meaningfully brighter than Antimony would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Calamine reflects noticeably more light off the walls, making the space read more open than Antimony.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Calamine reflects noticeably more light off the walls, making the space read more open than Antimony.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Calamine returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Calamine reflects noticeably more light off the walls, making the space read more open than Antimony.
Color Details
Calamine vs Antimony Simulated Comparison
5 simulated room previews — drag the slider on each to see Calamine on one side and Antimony on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Calamine comparisons
See how Calamine stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 68, White Dove is decisively the brighter choice.
Calamine reflects far more light (LRV 68 vs 52), opening up a space where Purbeck Stone encloses it.
Calamine reflects far more light (LRV 68 vs 30), opening up a space where Evergreen Fog encloses it.
Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
A 10-point LRV gap (68 vs 58) makes Calamine the marginally brighter of the two.
At LRV 68 vs 27, Calamine is decisively the brighter choice.
Calamine reflects far more light (LRV 68 vs 43), opening up a space where French Gray encloses it.
At LRV 68 vs 55, Calamine is decisively the brighter choice.
At LRV 68 vs 44, Calamine is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 68), opening up a space where Calamine encloses it.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
A 7-point LRV gap (74 vs 68) makes Shoji White the marginally brighter of the two.
At LRV 68 vs 12, Calamine is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.
At LRV 68 vs 12, Calamine is decisively the brighter choice.
At LRV 68 vs 45, Calamine is decisively the brighter choice.
Calamine reflects far more light (LRV 68 vs 31), opening up a space where Pale Green encloses it.
Calamine reflects far more light (LRV 68 vs 7), opening up a space where Pine Needle encloses it.
Calamine reflects far more light (LRV 68 vs 24), opening up a space where Cement grey encloses it.
Calamine reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.
Just Walnut reads slightly lighter (LRV 72 vs 68), a gap that shows most in low-lit rooms.