Dead Salmon vs Snowbound paint color comparison

Dead Salmon vs Snowbound

Dead SalmonFarrow & BallvsSnowboundSherwin-WilliamsΔE 28.5Very different colors

Where Dead Salmon belongs to Farrow & Ball's range, Snowbound is a Sherwin-Williams color. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Snowbound (LRV 83) reflects noticeably more light than Dead Salmon (LRV 36), a difference of 46 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 28.5, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 9 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Dead Salmon vs Snowbound in Real Spaces

9 real rooms side by side. Seeing Dead Salmon and Snowbound in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Dead Salmon would.

Dead SalmonFarrow and Ball Dead Salmon modern living room color

@linterieuradvies

SnowboundSnowbound SW 7004 living room

@mybudgetrecipes

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Snowbound reflects noticeably more light off the walls, making the space read more open than Dead Salmon.

Dead SalmonFarrow and Ball Dead Salmon boho bedroom paint review

@annestramgram_home

SnowboundBedroom painted in Sherwin-Williams Snowbound

@mybudgetrecipes

Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Snowbound reflects noticeably more light off the walls, making the space read more open than Dead Salmon.

Dead SalmonFarrow and Ball Dead Salmon 28 kitchen

@our.ennerdale

SnowboundSherwin Williams Snowbound kitchen cabinets

@mybudgetrecipes

Dining Room

A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Snowbound returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Dead SalmonFarrow and Ball Dead Salmon sunny dining room

@sunhillmanor

SnowboundSw 7004 Dining Room

@_wisteria_house_

Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Snowbound reflects noticeably more light off the walls, making the space read more open than Dead Salmon.

Dead SalmonFarrow and Ball Dead Salmon bathroom color review

@henandcraskedinburgh

SnowboundWhite bathroom in Snowbound by Sherwin Williams

@mybudgetrecipes

Home Office

The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Snowbound reflects noticeably more light off the walls, making the space read more open than Dead Salmon.

Dead SalmonFarrow and Ball Dead Salmon home office paint review

@designsatno16

SnowboundSW 7004 home office inspiration

@mybudgetrecipes

House

Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Snowbound reflects noticeably more light off the walls, making the space read more open than Dead Salmon.

Dead SalmonFarrow and Ball Dead Salmon 28 garage door

@the_trees_house

SnowboundSnowbound house color review

@mybudgetrecipes

Front Door

A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Dead Salmon would.

Dead SalmonFarrow and Ball Dead Salmon front door color review

@that_overton_house

SnowboundWhite front door with Snowbound SW 7004

@mybudgetrecipes

Kitchen Cabinets

Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Snowbound reflects noticeably more light off the walls, making the space read more open than Dead Salmon.

Dead SalmonDead Salmon kitchen cabinets color review

@patmcdonnellpaints

SnowboundSherwin Williams Snowbound Kitchen Cabinets

@we3dwellingsokc

Color Details

Dead Salmon
Farrow & Ball · 28
LRV36.3
BrandFarrow & Ball
Number28
Undertone
TemperatureWarm
BrightnessMedium
Snowbound
Sherwin-Williams · 7004
LRV82.8
BrandSherwin-Williams
Number7004
Undertone
TemperatureWarm
BrightnessLight

Dead Salmon vs Snowbound Simulated Comparison

5 simulated room previews — drag the slider on each to see Dead Salmon on one side and Snowbound on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Dead Salmon comparisons

See how Dead Salmon stacks up against other well-photographed colors across different brands and tones.

Ammonite
Ammonite
Dead Salmon
Dead Salmon
Ammonite vs Dead Salmon
Farrow & Ball
Ammonite
LRV 69
Farrow & Ball
Dead Salmon
28 · LRV 36

At LRV 69 vs 36, Ammonite is decisively the brighter choice.

White Dove
White Dove
Dead Salmon
Dead Salmon
White Dove vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

White Dove reflects far more light (LRV 83 vs 36), opening up a space where Dead Salmon encloses it.

Dead Salmon
Dead Salmon
Iron Ore
Iron Ore
Dead Salmon vs Iron Ore
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon reflects far more light (LRV 36 vs 6), opening up a space where Iron Ore encloses it.

Dead Salmon
Dead Salmon
Purbeck Stone
Purbeck Stone
Dead Salmon vs Purbeck Stone
Farrow & Ball
Dead Salmon
28 · LRV 36

At LRV 52 vs 36, Purbeck Stone is decisively the brighter choice.

Dead Salmon
Dead Salmon
Evergreen Fog
Evergreen Fog
Dead Salmon vs Evergreen Fog
Farrow & Ball
Dead Salmon
28 · LRV 36

A 6-point LRV gap (36 vs 30) makes Dead Salmon the marginally brighter of the two.

Dead Salmon
Dead Salmon
Mizzle
Mizzle
Dead Salmon vs Mizzle
Farrow & Ball
Dead Salmon
28 · LRV 36
Farrow & Ball
Mizzle
LRV 52

Mizzle reflects far more light (LRV 52 vs 36), opening up a space where Dead Salmon encloses it.

Dead Salmon
Dead Salmon
Agreeable Gray
Agreeable Gray
Dead Salmon vs Agreeable Gray
Farrow & Ball
Dead Salmon
28 · LRV 36

At LRV 60 vs 36, Agreeable Gray is decisively the brighter choice.

Dead Salmon
Dead Salmon
Accessible Beige
Accessible Beige
Dead Salmon vs Accessible Beige
Farrow & Ball
Dead Salmon
28 · LRV 36

Accessible Beige reflects far more light (LRV 58 vs 36), opening up a space where Dead Salmon encloses it.

Denim Drift
Denim Drift
Dead Salmon
Dead Salmon
Denim Drift vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon reads slightly lighter (LRV 36 vs 27), a gap that shows most in low-lit rooms.

Dead Salmon
Dead Salmon
French Gray
French Gray
Dead Salmon vs French Gray
Farrow & Ball
Dead Salmon
28 · LRV 36

A 7-point LRV gap (43 vs 36) makes French Gray the marginally brighter of the two.

Dead Salmon
Dead Salmon
Naval
Naval
Dead Salmon vs Naval
Farrow & Ball
Dead Salmon
28 · LRV 36
Sherwin-Williams
Naval
LRV 4

At LRV 36 vs 4, Dead Salmon is decisively the brighter choice.

Tranquil Dawn
Tranquil Dawn
Dead Salmon
Dead Salmon
Tranquil Dawn vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

Tranquil Dawn reflects far more light (LRV 55 vs 36), opening up a space where Dead Salmon encloses it.

Bancha
Bancha
Dead Salmon
Dead Salmon
Bancha vs Dead Salmon
Farrow & Ball
Bancha
LRV 13
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon reflects far more light (LRV 36 vs 13), opening up a space where Bancha encloses it.

Dead Salmon
Dead Salmon
Hardwick White
Hardwick White
Dead Salmon vs Hardwick White
Farrow & Ball
Dead Salmon
28 · LRV 36

Hardwick White reads slightly lighter (LRV 44 vs 36), a gap that shows most in low-lit rooms.

Dead Salmon
Dead Salmon
Pure White
Pure White
Dead Salmon vs Pure White
Farrow & Ball
Dead Salmon
28 · LRV 36

At LRV 84 vs 36, Pure White is decisively the brighter choice.

Dead Salmon
Dead Salmon
Artichoke
Artichoke
Dead Salmon vs Artichoke
Farrow & Ball
Dead Salmon
28 · LRV 36
Sherwin-Williams
Artichoke
LRV 21

At LRV 36 vs 21, Dead Salmon is decisively the brighter choice.

Balboa Mist
Balboa Mist
Dead Salmon
Dead Salmon
Balboa Mist vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

Balboa Mist reflects far more light (LRV 66 vs 36), opening up a space where Dead Salmon encloses it.

Dead Salmon
Dead Salmon
Shoji White
Shoji White
Dead Salmon vs Shoji White
Farrow & Ball
Dead Salmon
28 · LRV 36

Shoji White reflects far more light (LRV 74 vs 36), opening up a space where Dead Salmon encloses it.

Dead Salmon
Dead Salmon
Pigeon
Pigeon
Dead Salmon vs Pigeon
Farrow & Ball
Dead Salmon
28 · LRV 36
Farrow & Ball
Pigeon
LRV 51

At LRV 51 vs 36, Pigeon is decisively the brighter choice.

Dead Salmon
Dead Salmon
Pewter Green
Pewter Green
Dead Salmon vs Pewter Green
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon reflects far more light (LRV 36 vs 12), opening up a space where Pewter Green encloses it.

Dead Salmon
Dead Salmon
Duck Green
Duck Green
Dead Salmon vs Duck Green
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon reflects far more light (LRV 36 vs 8), opening up a space where Duck Green encloses it.

Dead Salmon
Dead Salmon
Skimming Stone
Skimming Stone
Dead Salmon vs Skimming Stone
Farrow & Ball
Dead Salmon
28 · LRV 36

Skimming Stone reflects far more light (LRV 68 vs 36), opening up a space where Dead Salmon encloses it.

Dead Salmon
Dead Salmon
Dix Blue
Dix Blue
Dead Salmon vs Dix Blue
Farrow & Ball
Dead Salmon
28 · LRV 36
Farrow & Ball
Dix Blue
LRV 41

A 5-point LRV gap (41 vs 36) makes Dix Blue the marginally brighter of the two.

Dead Salmon
Hicks' Blue
Dead Salmon
Hicks' Blue

Dead Salmon vs Hicks' Blue

Dead Salmon
Slaked Lime Deep
Dead Salmon
Slaked Lime Deep

Dead Salmon vs Slaked Lime Deep

Vintage Vogue
Vintage Vogue
Dead Salmon
Dead Salmon
Vintage Vogue vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon reflects far more light (LRV 36 vs 12), opening up a space where Vintage Vogue encloses it.

Dead Salmon
Livid
Dead Salmon
Livid
Farrow & Ball
Dead Salmon
28 · LRV 36

Dead Salmon vs Livid

Saybrook Sage
Saybrook Sage
Dead Salmon
Dead Salmon
Saybrook Sage vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

Saybrook Sage reads slightly lighter (LRV 45 vs 36), a gap that shows most in low-lit rooms.

Dead Salmon
Dead Salmon
Pale Green
Pale Green
Dead Salmon vs Pale Green
Farrow & Ball
Dead Salmon
28 · LRV 36
RAL ClassicClassic
Pale Green
LRV 31

A 5-point LRV gap (36 vs 31) makes Dead Salmon the marginally brighter of the two.

Pine Needle
Pine Needle
Dead Salmon
Dead Salmon
Pine Needle vs Dead Salmon
Farrow & Ball
Dead Salmon
28 · LRV 36

At LRV 36 vs 7, Dead Salmon is decisively the brighter choice.