
New White vs Carambola
Where New White belongs to Farrow & Ball's range, Carambola is a Sherwin-Williams color. Hue-wise, New White belongs to the beige-white family and Carambola to the beige-yellow family. They have nearly identical light reflectance values (82 vs 82), so they'll read as similarly Light in most lighting conditions. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
New White vs Carambola in Real Spaces
2 real rooms side by side. New White and Carambola are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
New White vs Carambola Simulated Comparison
5 simulated room previews — drag the slider on each to see New White on one side and Carambola on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More New White comparisons
See how New White stacks up against other well-photographed colors across different brands and tones.


Their light reflectance is nearly identical (LRV 83 vs 82), so neither reads brighter in a room.


New White reflects far more light (LRV 82 vs 52), opening up a space where Purbeck Stone encloses it.


New White reflects far more light (LRV 82 vs 30), opening up a space where Evergreen Fog encloses it.


New White reflects far more light (LRV 82 vs 60), opening up a space where Agreeable Gray encloses it.


At LRV 82 vs 58, New White is decisively the brighter choice.


At LRV 82 vs 27, New White is decisively the brighter choice.


New White reflects far more light (LRV 82 vs 43), opening up a space where French Gray encloses it.


At LRV 82 vs 55, New White is decisively the brighter choice.


At LRV 82 vs 44, New White is decisively the brighter choice.


With LRVs of 84 and 82, the two reflect almost the same amount of light.


At LRV 82 vs 66, New White is decisively the brighter choice.


A 7-point LRV gap (82 vs 74) makes New White the marginally brighter of the two.


At LRV 82 vs 12, New White is decisively the brighter choice.


At LRV 82 vs 68, New White is decisively the brighter choice.


At LRV 82 vs 12, New White is decisively the brighter choice.


At LRV 82 vs 45, New White is decisively the brighter choice.


New White reflects far more light (LRV 82 vs 31), opening up a space where Pale Green encloses it.


New White reflects far more light (LRV 82 vs 7), opening up a space where Pine Needle encloses it.


New White reflects far more light (LRV 82 vs 24), opening up a space where Cement grey encloses it.


New White reflects far more light (LRV 82 vs 57), opening up a space where Guilford Green encloses it.























