S 1502-Y vs Sedate Gray
S 1502-Y (NCS) and Sedate Gray (Sherwin-Williams) come from different manufacturers. S 1502-Y reads as greige-grey, while Sedate Gray reads as beige-greige — two distinct hue families, not close cousins. The 3-point LRV gap — 64 for S 1502-Y vs 61 for Sedate Gray — means S 1502-Y will open up a space more effectively. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 2.1 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
S 1502-Y vs Sedate Gray in Real Spaces
2 real rooms side by side. S 1502-Y and Sedate Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. S 1502-Y reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. S 1502-Y has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
S 1502-Y vs Sedate Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see S 1502-Y on one side and Sedate Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More S 1502-Y comparisons
See how S 1502-Y stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
S 1502-Y reflects far more light (LRV 64 vs 52), opening up a space where Purbeck Stone encloses it.
S 1502-Y reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
S 1502-Y reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 7-point LRV gap (64 vs 58) makes S 1502-Y the marginally brighter of the two.
At LRV 64 vs 27, S 1502-Y is decisively the brighter choice.
S 1502-Y reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
A 9-point LRV gap (64 vs 55) makes S 1502-Y the marginally brighter of the two.
At LRV 64 vs 44, S 1502-Y is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where S 1502-Y encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 10-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 64 vs 12, S 1502-Y is decisively the brighter choice.
A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
At LRV 64 vs 12, S 1502-Y is decisively the brighter choice.
At LRV 64 vs 45, S 1502-Y is decisively the brighter choice.
S 1502-Y reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.
S 1502-Y reflects far more light (LRV 64 vs 7), opening up a space where Pine Needle encloses it.
S 1502-Y reflects far more light (LRV 64 vs 24), opening up a space where Cement grey encloses it.
S 1502-Y reads slightly lighter (LRV 64 vs 57), a gap that shows most in low-lit rooms.