Go To Gray vs RAL 860-1
Go To Gray (PPG) and RAL 860-1 (RAL Effect) come from different manufacturers. These are both greys, so the question isn't which hue to choose — it's where within grey to land. Their light reflectance values are nearly the same — 70 vs 70 — so neither will read significantly brighter or darker than the other. A ΔE of 2.4 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Go To Gray vs RAL 860-1 in Real Spaces
3 real rooms side by side. Go To Gray and RAL 860-1 are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Go To Gray vs RAL 860-1 Simulated Comparison
5 simulated room previews — drag the slider on each to see Go To Gray on one side and RAL 860-1 on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Go To Gray comparisons
See how Go To Gray stacks up against other well-photographed colors across different brands and tones.
Their light reflectance is nearly identical (LRV 70 vs 69), so neither reads brighter in a room.
White Dove reflects far more light (LRV 83 vs 70), opening up a space where Go To Gray encloses it.
Go To Gray reflects far more light (LRV 70 vs 6), opening up a space where Iron Ore encloses it.
At LRV 70 vs 52, Go To Gray is decisively the brighter choice.
At LRV 70 vs 30, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 52), opening up a space where Mizzle encloses it.
A 10-point LRV gap (70 vs 60) makes Go To Gray the marginally brighter of the two.
Go To Gray reflects far more light (LRV 70 vs 58), opening up a space where Accessible Beige encloses it.
Go To Gray reflects far more light (LRV 70 vs 27), opening up a space where Denim Drift encloses it.
At LRV 70 vs 43, Go To Gray is decisively the brighter choice.
At LRV 70 vs 4, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 55), opening up a space where Tranquil Dawn encloses it.
Go To Gray reflects far more light (LRV 70 vs 13), opening up a space where Bancha encloses it.
Go To Gray reflects far more light (LRV 70 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 70, Pure White is decisively the brighter choice.
At LRV 70 vs 21, Go To Gray is decisively the brighter choice.
Go To Gray reads slightly lighter (LRV 70 vs 66), a gap that shows most in low-lit rooms.
Shoji White reads slightly lighter (LRV 74 vs 70), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 70), opening up a space where Go To Gray encloses it.
At LRV 70 vs 51, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 12), opening up a space where Pewter Green encloses it.
Go To Gray reflects far more light (LRV 70 vs 8), opening up a space where Duck Green encloses it.
With LRVs of 70 and 68, the two reflect almost the same amount of light.
At LRV 70 vs 41, Go To Gray is decisively the brighter choice.
Go To Gray reflects far more light (LRV 70 vs 12), opening up a space where Vintage Vogue encloses it.
Go To Gray reflects far more light (LRV 70 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 70 vs 31, Go To Gray is decisively the brighter choice.