Aged Wine vs Iron Ore
Aged Wine and Iron Ore come from the same Sherwin-Williams collection. Hue-wise, Aged Wine belongs to the pink family and Iron Ore to the grey family. The 7-point LRV gap — 13 for Aged Wine vs 6 for Iron Ore — means Aged Wine will open up a space more effectively. Where Aged Wine leans warm, Iron Ore reads neutral — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 27.8 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Aged Wine vs Iron Ore in Real Spaces
10 real rooms side by side. Seeing Aged Wine and Iron Ore in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Aged Wine reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. The brightness difference is modest but present — Aged Wine gives the walls a little more lift.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Mudroom
In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. The brightness difference is modest but present — Aged Wine gives the walls a little more lift.
Patio
Exterior colors look different in open light — both tend to read lighter outside than on an interior swatch, and shadows read more strongly. The brightness difference is modest but present — Aged Wine gives the walls a little more lift.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Aged Wine vs Iron Ore Simulated Comparison
5 simulated room previews — drag the slider on each to see Aged Wine on one side and Iron Ore on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Aged Wine comparisons
See how Aged Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where Aged Wine encloses it.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Aged Wine encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where Aged Wine encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Aged Wine encloses it.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Aged Wine encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Aged Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Aged Wine encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.
A 6-point LRV gap (13 vs 7) makes Aged Wine the marginally brighter of the two.
A 12-point LRV gap (24 vs 13) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 13, Guilford Green is decisively the brighter choice.
At LRV 72 vs 13, Just Walnut is decisively the brighter choice.