Aged Wine vs Pure White
Both from Sherwin-Williams's palette. Hue-wise, Aged Wine belongs to the pink family and Pure White to the beige-greige family. Pure White (LRV 84) reflects noticeably more light than Aged Wine (LRV 13), a difference of 71 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 56.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Aged Wine vs Pure White in Real Spaces
7 real rooms side by side. Seeing Aged Wine and Pure White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Aged Wine would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Pure White reflects noticeably more light off the walls, making the space read more open than Aged Wine.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Pure White reflects noticeably more light off the walls, making the space read more open than Aged Wine.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pure White reflects noticeably more light off the walls, making the space read more open than Aged Wine.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Pure White reflects noticeably more light off the walls, making the space read more open than Aged Wine.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Pure White reflects noticeably more light off the walls, making the space read more open than Aged Wine.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Aged Wine would.
Color Details
Aged Wine vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Aged Wine on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Aged Wine comparisons
See how Aged Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where Aged Wine encloses it.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Aged Wine encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where Aged Wine encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Aged Wine encloses it.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Aged Wine encloses it.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Aged Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Aged Wine encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.
A 6-point LRV gap (13 vs 7) makes Aged Wine the marginally brighter of the two.
A 12-point LRV gap (24 vs 13) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 13, Guilford Green is decisively the brighter choice.
At LRV 72 vs 13, Just Walnut is decisively the brighter choice.