Ash Violet vs Made in the Shade
Ash Violet is a Sherwin-Williams color while Made in the Shade comes from Valspar. Ash Violet reads as grey-purple, while Made in the Shade reads as grey — two distinct hue families, not close cousins. With LRVs of 34 and 33, they'll behave almost identically in terms of how much light they reflect back into a room. At ΔE 10.0, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Ash Violet vs Made in the Shade in Real Spaces
2 real rooms side by side. Seeing Ash Violet and Made in the Shade in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Color Details
Ash Violet vs Made in the Shade Simulated Comparison
5 simulated room previews — drag the slider on each to see Ash Violet on one side and Made in the Shade on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ash Violet comparisons
See how Ash Violet stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 34), opening up a space where Ash Violet encloses it.
At LRV 83 vs 34, White Dove is decisively the brighter choice.
At LRV 34 vs 6, Ash Violet is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 34), opening up a space where Ash Violet encloses it.
Ash Violet reads slightly lighter (LRV 34 vs 30), a gap that shows most in low-lit rooms.
At LRV 52 vs 34, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 34), opening up a space where Ash Violet encloses it.
At LRV 58 vs 34, Accessible Beige is decisively the brighter choice.
A 7-point LRV gap (34 vs 27) makes Ash Violet the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 34), a gap that shows most in low-lit rooms.
Ash Violet reflects far more light (LRV 34 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 34, Tranquil Dawn is decisively the brighter choice.
At LRV 34 vs 13, Ash Violet is decisively the brighter choice.
A 10-point LRV gap (44 vs 34) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 34), opening up a space where Ash Violet encloses it.
Ash Violet reflects far more light (LRV 34 vs 21), opening up a space where Artichoke encloses it.
At LRV 66 vs 34, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 34, Shoji White is decisively the brighter choice.
At LRV 83 vs 34, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 34), opening up a space where Ash Violet encloses it.
At LRV 34 vs 12, Ash Violet is decisively the brighter choice.
At LRV 34 vs 8, Ash Violet is decisively the brighter choice.
At LRV 68 vs 34, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 34), a gap that shows most in low-lit rooms.
At LRV 34 vs 12, Ash Violet is decisively the brighter choice.
A 11-point LRV gap (45 vs 34) makes Saybrook Sage the marginally brighter of the two.
With LRVs of 34 and 31, the two reflect almost the same amount of light.