Auric vs Endless Sea
Both from Sherwin-Williams's palette. Auric reads as beige, while Endless Sea reads as blue — two distinct hue families, not close cousins. Auric (LRV 30) reflects noticeably more light than Endless Sea (LRV 9), a difference of 21 points that becomes especially apparent in rooms with limited natural light. Auric runs warm while Endless Sea is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 85.3, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Auric vs Endless Sea in Real Spaces
4 real rooms side by side. Seeing Auric and Endless Sea in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Auric will make the room feel meaningfully brighter than Endless Sea would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Auric reflects noticeably more light off the walls, making the space read more open than Endless Sea.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Auric reflects noticeably more light off the walls, making the space read more open than Endless Sea.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Auric will make the room feel meaningfully brighter than Endless Sea would.
Color Details
Auric vs Endless Sea Simulated Comparison
5 simulated room previews — drag the slider on each to see Auric on one side and Endless Sea on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Auric comparisons
See how Auric stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where Auric encloses it.
With LRVs of 30 and 30, the two reflect almost the same amount of light.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where Auric encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 27), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where Auric encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where Auric encloses it.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 30 vs 12, Auric is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
At LRV 30 vs 12, Auric is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
Auric reflects far more light (LRV 30 vs 7), opening up a space where Pine Needle encloses it.
Auric reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 30), opening up a space where Auric encloses it.