Cavern Clay vs Roycroft Adobe
Cavern Clay and Roycroft Adobe come from the same Sherwin-Williams collection. Hue-wise, Cavern Clay belongs to the beige-pink family and Roycroft Adobe to the pink-red family. Their light reflectance values are nearly the same — 20 vs 18 — so neither will read significantly brighter or darker than the other. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. ΔE 4.7 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Cavern Clay vs Roycroft Adobe in Real Spaces
1 real room side by side. Cavern Clay and Roycroft Adobe are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Cavern Clay vs Roycroft Adobe Simulated Comparison
5 simulated room previews — drag the slider on each to see Cavern Clay on one side and Roycroft Adobe on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Cavern Clay comparisons
See how Cavern Clay stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 20, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 20), opening up a space where Cavern Clay encloses it.
Cavern Clay reflects far more light (LRV 20 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 20, Purbeck Stone is decisively the brighter choice.
A 10-point LRV gap (30 vs 20) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 20), opening up a space where Cavern Clay encloses it.
At LRV 60 vs 20, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 20), opening up a space where Cavern Clay encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 20), a gap that shows most in low-lit rooms.
At LRV 43 vs 20, French Gray is decisively the brighter choice.
At LRV 20 vs 4, Cavern Clay is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 20), opening up a space where Cavern Clay encloses it.
Cavern Clay reads slightly lighter (LRV 20 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 20), opening up a space where Cavern Clay encloses it.
At LRV 84 vs 20, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 21 vs 20), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 20), opening up a space where Cavern Clay encloses it.
Shoji White reflects far more light (LRV 74 vs 20), opening up a space where Cavern Clay encloses it.
Snowbound reflects far more light (LRV 83 vs 20), opening up a space where Cavern Clay encloses it.
At LRV 51 vs 20, Pigeon is decisively the brighter choice.
Cavern Clay reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Cavern Clay reads slightly lighter (LRV 20 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 20), opening up a space where Cavern Clay encloses it.
At LRV 41 vs 20, Dix Blue is decisively the brighter choice.
Cavern Clay reads slightly lighter (LRV 20 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 20), opening up a space where Cavern Clay encloses it.
A 11-point LRV gap (31 vs 20) makes Pale Green the marginally brighter of the two.