Clematis vs Opaline
Both from Sherwin-Williams's palette. Hue-wise, Clematis belongs to the purple family and Opaline to the green-grey family. Opaline (LRV 73) reflects noticeably more light than Clematis (LRV 16), a difference of 57 points that becomes especially apparent in rooms with limited natural light. Clematis runs cool while Opaline is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 54.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Clematis vs Opaline in Real Spaces
3 real rooms side by side. Seeing Clematis and Opaline in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Opaline will make the room feel meaningfully brighter than Clematis would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Opaline reflects noticeably more light off the walls, making the space read more open than Clematis.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Opaline reflects noticeably more light off the walls, making the space read more open than Clematis.
Color Details
Clematis vs Opaline Simulated Comparison
5 simulated room previews — drag the slider on each to see Clematis on one side and Opaline on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Clematis comparisons
See how Clematis stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 16, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 16), opening up a space where Clematis encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 16), opening up a space where Clematis encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 16), opening up a space where Clematis encloses it.
At LRV 58 vs 16, Accessible Beige is decisively the brighter choice.
A 11-point LRV gap (27 vs 16) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 16), opening up a space where Clematis encloses it.
At LRV 55 vs 16, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 16, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 16), opening up a space where Clematis encloses it.
At LRV 66 vs 16, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 16, Shoji White is decisively the brighter choice.
A 4-point LRV gap (16 vs 12) makes Clematis the marginally brighter of the two.
At LRV 68 vs 16, Skimming Stone is decisively the brighter choice.
A 4-point LRV gap (16 vs 12) makes Clematis the marginally brighter of the two.
At LRV 45 vs 16, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 16), opening up a space where Clematis encloses it.
Clematis reads slightly lighter (LRV 16 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 16), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 16), opening up a space where Clematis encloses it.