Connected Gray vs Terrain
Connected Gray and Terrain come from the same Sherwin-Williams collection. Both sit in the greige-grey family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 23 vs 23 — so neither will read significantly brighter or darker than the other. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. A ΔE of 1.7 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Connected Gray vs Terrain Simulated Comparison
5 simulated room previews — drag the slider on each to see Connected Gray on one side and Terrain on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Connected Gray comparisons
See how Connected Gray stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 23), opening up a space where Connected Gray encloses it.
At LRV 69 vs 23, Ammonite is decisively the brighter choice.
Connected Gray reflects far more light (LRV 23 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 23, Purbeck Stone is decisively the brighter choice.
A 7-point LRV gap (30 vs 23) makes Evergreen Fog the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 23), opening up a space where Connected Gray encloses it.
At LRV 60 vs 23, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 23), opening up a space where Connected Gray encloses it.
Denim Drift reads slightly lighter (LRV 27 vs 23), a gap that shows most in low-lit rooms.
At LRV 43 vs 23, French Gray is decisively the brighter choice.
At LRV 23 vs 4, Connected Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 23), opening up a space where Connected Gray encloses it.
Connected Gray reads slightly lighter (LRV 23 vs 13), a gap that shows most in low-lit rooms.
Hardwick White reflects far more light (LRV 44 vs 23), opening up a space where Connected Gray encloses it.
At LRV 84 vs 23, Pure White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 23 vs 21), so neither reads brighter in a room.
Balboa Mist reflects far more light (LRV 66 vs 23), opening up a space where Connected Gray encloses it.
Shoji White reflects far more light (LRV 74 vs 23), opening up a space where Connected Gray encloses it.
Snowbound reflects far more light (LRV 83 vs 23), opening up a space where Connected Gray encloses it.
Connected Gray reads slightly lighter (LRV 23 vs 12), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 23), opening up a space where Connected Gray encloses it.
At LRV 41 vs 23, Dix Blue is decisively the brighter choice.
At LRV 68 vs 23, Calamine is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 25 vs 23), so neither reads brighter in a room.
Connected Gray reads slightly lighter (LRV 23 vs 12), a gap that shows most in low-lit rooms.
Saybrook Sage reflects far more light (LRV 45 vs 23), opening up a space where Connected Gray encloses it.
A 8-point LRV gap (31 vs 23) makes Pale Green the marginally brighter of the two.
At LRV 23 vs 7, Connected Gray is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 24 vs 23), so neither reads brighter in a room.
At LRV 57 vs 23, Guilford Green is decisively the brighter choice.