Crushed Ice vs Grey Heron
Both are Sherwin-Williams colors. These are both greige-greys, so the question isn't which hue to choose — it's where within greige-grey to land. With LRVs of 66 and 65, they'll behave almost identically in terms of how much light they reflect back into a room. They share a warm quality — useful to know if you're layering them in the same space. With a ΔE of 0.7, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Crushed Ice vs Grey Heron in Real Spaces
8 real rooms side by side. Crushed Ice and Grey Heron are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Crushed Ice vs Grey Heron Simulated Comparison
5 simulated room previews — drag the slider on each to see Crushed Ice on one side and Grey Heron on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Crushed Ice comparisons
See how Crushed Ice stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 66, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 66), a gap that shows most in low-lit rooms.
At LRV 66 vs 6, Crushed Ice is decisively the brighter choice.
Crushed Ice reflects far more light (LRV 66 vs 52), opening up a space where Purbeck Stone encloses it.
Crushed Ice reflects far more light (LRV 66 vs 30), opening up a space where Evergreen Fog encloses it.
At LRV 66 vs 52, Crushed Ice is decisively the brighter choice.
Crushed Ice reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
A 8-point LRV gap (66 vs 58) makes Crushed Ice the marginally brighter of the two.
At LRV 66 vs 27, Crushed Ice is decisively the brighter choice.
Crushed Ice reflects far more light (LRV 66 vs 43), opening up a space where French Gray encloses it.
Crushed Ice reflects far more light (LRV 66 vs 4), opening up a space where Naval encloses it.
A 11-point LRV gap (66 vs 55) makes Crushed Ice the marginally brighter of the two.
At LRV 66 vs 13, Crushed Ice is decisively the brighter choice.
At LRV 66 vs 44, Crushed Ice is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 66), opening up a space where Crushed Ice encloses it.
Crushed Ice reflects far more light (LRV 66 vs 21), opening up a space where Artichoke encloses it.
Their light reflectance is nearly identical (LRV 66 vs 66), so neither reads brighter in a room.
A 9-point LRV gap (74 vs 66) makes Shoji White the marginally brighter of the two.
At LRV 83 vs 66, Snowbound is decisively the brighter choice.
At LRV 66 vs 12, Crushed Ice is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 68 vs 66), so neither reads brighter in a room.
Crushed Ice reflects far more light (LRV 66 vs 41), opening up a space where Dix Blue encloses it.
With LRVs of 68 and 66, the two reflect almost the same amount of light.
Crushed Ice reflects far more light (LRV 66 vs 25), opening up a space where Treron encloses it.
At LRV 66 vs 12, Crushed Ice is decisively the brighter choice.
At LRV 66 vs 45, Crushed Ice is decisively the brighter choice.
Crushed Ice reflects far more light (LRV 66 vs 31), opening up a space where Pale Green encloses it.
Crushed Ice reflects far more light (LRV 66 vs 7), opening up a space where Pine Needle encloses it.
Crushed Ice reflects far more light (LRV 66 vs 24), opening up a space where Cement grey encloses it.
Crushed Ice reads slightly lighter (LRV 66 vs 57), a gap that shows most in low-lit rooms.