Gauntlet Gray vs Going Grey
Both from Sherwin-Williams's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Going Grey (LRV 22) reflects noticeably more light than Gauntlet Gray (LRV 17), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. The ΔE 5.0 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Gauntlet Gray vs Going Grey in Real Spaces
7 real rooms side by side. Gauntlet Gray and Going Grey are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Going Grey gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Going Grey reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Going Grey reads slightly lighter here — a subtle but real difference in how open the space feels.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Going Grey reads slightly lighter here — a subtle but real difference in how open the space feels.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Going Grey reads slightly lighter here — a subtle but real difference in how open the space feels.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Going Grey reads slightly lighter here — a subtle but real difference in how open the space feels.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Going Grey gives the walls a little more lift.
Color Details
Gauntlet Gray vs Going Grey Simulated Comparison
5 simulated room previews — drag the slider on each to see Gauntlet Gray on one side and Going Grey on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gauntlet Gray comparisons
See how Gauntlet Gray stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 17, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 17), opening up a space where Gauntlet Gray encloses it.
A 12-point LRV gap (17 vs 6) makes Gauntlet Gray the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 17), opening up a space where Gauntlet Gray encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 17), opening up a space where Gauntlet Gray encloses it.
At LRV 52 vs 17, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 17), opening up a space where Gauntlet Gray encloses it.
At LRV 58 vs 17, Accessible Beige is decisively the brighter choice.
A 10-point LRV gap (27 vs 17) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 17), opening up a space where Gauntlet Gray encloses it.
Gauntlet Gray reflects far more light (LRV 17 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 17, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (17 vs 13) makes Gauntlet Gray the marginally brighter of the two.
At LRV 44 vs 17, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 17), opening up a space where Gauntlet Gray encloses it.
Artichoke reads slightly lighter (LRV 21 vs 17), a gap that shows most in low-lit rooms.
At LRV 66 vs 17, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 17, Shoji White is decisively the brighter choice.
At LRV 83 vs 17, Snowbound is decisively the brighter choice.
A 6-point LRV gap (17 vs 12) makes Gauntlet Gray the marginally brighter of the two.
At LRV 68 vs 17, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 17), opening up a space where Gauntlet Gray encloses it.
Calamine reflects far more light (LRV 68 vs 17), opening up a space where Gauntlet Gray encloses it.
Treron reads slightly lighter (LRV 25 vs 17), a gap that shows most in low-lit rooms.
A 6-point LRV gap (17 vs 12) makes Gauntlet Gray the marginally brighter of the two.
At LRV 45 vs 17, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 17), opening up a space where Gauntlet Gray encloses it.
Gauntlet Gray reads slightly lighter (LRV 17 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 17), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 17), opening up a space where Gauntlet Gray encloses it.