Going Grey vs Naval
Both from Sherwin-Williams's palette. Going Grey reads as grey, while Naval reads as blue — two distinct hue families, not close cousins. Going Grey (LRV 22) reflects noticeably more light than Naval (LRV 4), a difference of 17 points that becomes especially apparent in rooms with limited natural light. Going Grey runs neutral while Naval is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 32.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Going Grey vs Naval in Real Spaces
8 real rooms side by side. Seeing Going Grey and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Going Grey will make the room feel meaningfully brighter than Naval would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Going Grey reflects noticeably more light off the walls, making the space read more open than Naval.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Going Grey reflects noticeably more light off the walls, making the space read more open than Naval.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Going Grey returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Going Grey reflects noticeably more light off the walls, making the space read more open than Naval.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Going Grey reflects noticeably more light off the walls, making the space read more open than Naval.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Going Grey reflects noticeably more light off the walls, making the space read more open than Naval.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Going Grey will make the room feel meaningfully brighter than Naval would.
Color Details
Going Grey vs Naval Simulated Comparison
5 simulated room previews — drag the slider on each to see Going Grey on one side and Naval on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Going Grey comparisons
See how Going Grey stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Going Grey encloses it.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
At LRV 22 vs 6, Going Grey is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Going Grey encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Going Grey encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Going Grey encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Going Grey the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Going Grey encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 22), opening up a space where Going Grey encloses it.
A 10-point LRV gap (22 vs 12) makes Going Grey the marginally brighter of the two.
At LRV 22 vs 8, Going Grey is decisively the brighter choice.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Going Grey encloses it.
A 10-point LRV gap (22 vs 12) makes Going Grey the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
Going Grey reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.