Gray Screen vs Tinsmith
Both from Sherwin-Williams's palette. These are both greys, so the question isn't which hue to choose — it's where within grey to land. They have nearly identical light reflectance values (59 vs 57), so they'll read as similarly Light in most lighting conditions. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.3, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Gray Screen vs Tinsmith in Real Spaces
1 real room side by side. Gray Screen and Tinsmith are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Gray Screen vs Tinsmith Simulated Comparison
5 simulated room previews — drag the slider on each to see Gray Screen on one side and Tinsmith on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Gray Screen comparisons
See how Gray Screen stacks up against other well-photographed colors across different brands and tones.
