Jon 66 quil 246 216 vs Snowbound

Both are Sherwin-Williams colors. Hue-wise, Jon 66 quil 246 216 belongs to the beige family and Snowbound to the beige-greige family. At LRV 83 vs 68, Snowbound will read as the brighter of the two — a 14-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 35.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Jon 66 quil 246 216 vs Snowbound in Real Spaces

8 real rooms side by side. Seeing Jon 66 quil 246 216 and Snowbound in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Snowbound returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Jon 66 quil 246 216A organic modern living room painted in Jon 66 quil 246 216

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SnowboundSnowbound SW 7004 living room

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Bedroom

Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Jon 66 quil 246 216 would.

Jon 66 quil 246 216A cozy bedroom painted in Jon 66 quil 246 216

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SnowboundBedroom painted in Sherwin-Williams Snowbound

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Kitchen

Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Jon 66 quil 246 216 would.

Jon 66 quil 246 216Jon 66 quil 246 216 — scandinavian kitchen

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SnowboundSherwin Williams Snowbound kitchen cabinets

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Dining Room

Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Snowbound reflects noticeably more light off the walls, making the space read more open than Jon 66 quil 246 216.

Jon 66 quil 246 216Jon 66 quil 246 216 paint in a parisian dining room

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SnowboundSw 7004 Dining Room

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Bathroom

Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Jon 66 quil 246 216 would.

Jon 66 quil 246 216Jon 66 quil 246 216 — vintage bathroom

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SnowboundWhite bathroom in Snowbound by Sherwin Williams

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Home Office

In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Jon 66 quil 246 216 would.

Jon 66 quil 246 216Sherwin-Williams Jon 66 quil 246 216 in a moody home office

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SnowboundSW 7004 home office inspiration

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House

At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Snowbound will make the room feel meaningfully brighter than Jon 66 quil 246 216 would.

Jon 66 quil 246 216Jon 66 quil 246 216 color — maximalist house inspiration

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SnowboundSnowbound house color review

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Front Door

Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Snowbound returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Jon 66 quil 246 216mediterranean front door featuring Jon 66 quil 246 216 by Sherwin-Williams

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SnowboundWhite front door with Snowbound SW 7004

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Color Details

Jon 66 quil 246 216
Sherwin-Williams · 6674
Hex#F7D391
LRV68.4
BrandSherwin-Williams
Number6674
Undertone
TemperatureWarm
BrightnessLight
Snowbound
Sherwin-Williams · 7004
Hex#EDEAE5
LRV82.8
BrandSherwin-Williams
Number7004
Undertone
TemperatureWarm
BrightnessLight

Jon 66 quil 246 216 vs Snowbound Simulated Comparison

5 simulated room previews — drag the slider on each to see Jon 66 quil 246 216 on one side and Snowbound on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Jon 66 quil 246 216 comparisons

See how Jon 66 quil 246 216 stacks up against other well-photographed colors across different brands and tones.

White Dove
Jon 66 quil 246 216
White Dove
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

White Dove reflects far more light (LRV 83 vs 68), opening up a space where Jon 66 quil 246 216 encloses it.

Ammonite
Jon 66 quil 246 216
Ammonite
Jon 66 quil 246 216
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Their light reflectance is nearly identical (LRV 69 vs 68), so neither reads brighter in a room.

Iron Ore
Jon 66 quil 246 216
Iron Ore
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Jon 66 quil 246 216
Purbeck Stone
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 52, Jon 66 quil 246 216 is decisively the brighter choice.

Evergreen Fog
Jon 66 quil 246 216
Evergreen Fog
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 30, Jon 66 quil 246 216 is decisively the brighter choice.

Mizzle
Jon 66 quil 246 216
Mizzle
Jon 66 quil 246 216
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 52), opening up a space where Mizzle encloses it.

Agreeable Gray
Jon 66 quil 246 216
Agreeable Gray
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

A 8-point LRV gap (68 vs 60) makes Jon 66 quil 246 216 the marginally brighter of the two.

Accessible Beige
Jon 66 quil 246 216
Accessible Beige
Jon 66 quil 246 216

Jon 66 quil 246 216 reads slightly lighter (LRV 68 vs 58), a gap that shows most in low-lit rooms.

Denim Drift
Jon 66 quil 246 216
Denim Drift
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Jon 66 quil 246 216
French Gray
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 43, Jon 66 quil 246 216 is decisively the brighter choice.

Jon 66 quil 246 216
Naval
Jon 66 quil 246 216
Naval
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68
Sherwin-Williams
Naval
LRV 4

At LRV 68 vs 4, Jon 66 quil 246 216 is decisively the brighter choice.

Tranquil Dawn
Jon 66 quil 246 216
Tranquil Dawn
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 55), opening up a space where Tranquil Dawn encloses it.

Bancha
Jon 66 quil 246 216
Bancha
Jon 66 quil 246 216
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Jon 66 quil 246 216
Hardwick White
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 44), opening up a space where Hardwick White encloses it.

Jon 66 quil 246 216
Pure White
Jon 66 quil 246 216
Pure White
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 84 vs 68, Pure White is decisively the brighter choice.

Artichoke
Jon 66 quil 246 216
Artichoke
Jon 66 quil 246 216
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 21, Jon 66 quil 246 216 is decisively the brighter choice.

Balboa Mist
Jon 66 quil 246 216
Balboa Mist
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

With LRVs of 68 and 66, the two reflect almost the same amount of light.

Jon 66 quil 246 216
Shoji White
Jon 66 quil 246 216
Shoji White
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Shoji White reads slightly lighter (LRV 74 vs 68), a gap that shows most in low-lit rooms.

Jon 66 quil 246 216
Pewter Green
Jon 66 quil 246 216
Pewter Green
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Jon 66 quil 246 216
Skimming Stone
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

With LRVs of 68 and 68, the two reflect almost the same amount of light.

Dix Blue
Jon 66 quil 246 216
Dix Blue
Jon 66 quil 246 216
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 41, Jon 66 quil 246 216 is decisively the brighter choice.

Calamine
Jon 66 quil 246 216
Calamine
Jon 66 quil 246 216
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Their light reflectance is nearly identical (LRV 68 vs 68), so neither reads brighter in a room.

Treron
Jon 66 quil 246 216
Treron
Jon 66 quil 246 216
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 25, Jon 66 quil 246 216 is decisively the brighter choice.

Vintage Vogue
Jon 66 quil 246 216
Vintage Vogue
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Jon 66 quil 246 216
Saybrook Sage
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

Jon 66 quil 246 216 reflects far more light (LRV 68 vs 45), opening up a space where Saybrook Sage encloses it.

Pale Green
Jon 66 quil 246 216
Pale Green
Jon 66 quil 246 216
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 31, Jon 66 quil 246 216 is decisively the brighter choice.

Pine Needle
Jon 66 quil 246 216
Pine Needle
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 7, Jon 66 quil 246 216 is decisively the brighter choice.

Cement grey
Jon 66 quil 246 216
Cement grey
Jon 66 quil 246 216
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

At LRV 68 vs 24, Jon 66 quil 246 216 is decisively the brighter choice.

Guilford Green
Jon 66 quil 246 216
Guilford Green
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

A 11-point LRV gap (68 vs 57) makes Jon 66 quil 246 216 the marginally brighter of the two.

Just Walnut
Jon 66 quil 246 216
Just Walnut
Jon 66 quil 246 216
Sherwin-Williams
Jon 66 quil 246 216
6674 · LRV 68

A 4-point LRV gap (72 vs 68) makes Just Walnut the marginally brighter of the two.