Misty vs Mountain Air
Both from Sherwin-Williams's palette. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. Mountain Air (LRV 73) reflects noticeably more light than Misty (LRV 64), a difference of 10 points that becomes especially apparent in rooms with limited natural light. Misty runs neutral while Mountain Air is decidedly cool, which means they'll respond very differently to warm vs cool light sources. The ΔE 4.9 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Misty vs Mountain Air in Real Spaces
1 real room side by side. Misty and Mountain Air are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Mountain Air returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Misty vs Mountain Air Simulated Comparison
5 simulated room previews — drag the slider on each to see Misty on one side and Mountain Air on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Misty comparisons
See how Misty stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
Misty reads slightly lighter (LRV 64 vs 52), a gap that shows most in low-lit rooms.
Misty reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
Misty reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 6-point LRV gap (64 vs 58) makes Misty the marginally brighter of the two.
At LRV 64 vs 27, Misty is decisively the brighter choice.
Misty reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
A 9-point LRV gap (64 vs 55) makes Misty the marginally brighter of the two.
At LRV 64 vs 44, Misty is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where Misty encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 64 vs 12, Misty is decisively the brighter choice.
A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
At LRV 64 vs 12, Misty is decisively the brighter choice.
At LRV 64 vs 45, Misty is decisively the brighter choice.
Misty reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.
Misty reflects far more light (LRV 64 vs 7), opening up a space where Pine Needle encloses it.
Misty reflects far more light (LRV 64 vs 24), opening up a space where Cement grey encloses it.
Misty reads slightly lighter (LRV 64 vs 57), a gap that shows most in low-lit rooms.