Misty vs Samovar Silver
Both from Sherwin-Williams's palette. Hue-wise, Misty belongs to the blue-grey family and Samovar Silver to the grey family. Misty (LRV 64) reflects noticeably more light than Samovar Silver (LRV 51), a difference of 13 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.3 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Misty vs Samovar Silver in Real Spaces
2 real rooms side by side. Misty and Samovar Silver are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Misty will make the room feel meaningfully brighter than Samovar Silver would.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Misty reflects noticeably more light off the walls, making the space read more open than Samovar Silver.
Color Details
Misty vs Samovar Silver Simulated Comparison
5 simulated room previews — drag the slider on each to see Misty on one side and Samovar Silver on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Misty comparisons
See how Misty stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 64, White Dove is decisively the brighter choice.
Misty reads slightly lighter (LRV 64 vs 52), a gap that shows most in low-lit rooms.
Misty reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.
Misty reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.
A 6-point LRV gap (64 vs 58) makes Misty the marginally brighter of the two.
At LRV 64 vs 27, Misty is decisively the brighter choice.
Misty reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.
A 9-point LRV gap (64 vs 55) makes Misty the marginally brighter of the two.
At LRV 64 vs 44, Misty is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 64), opening up a space where Misty encloses it.
Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.
A 11-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.
At LRV 64 vs 12, Misty is decisively the brighter choice.
A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.
At LRV 64 vs 12, Misty is decisively the brighter choice.
At LRV 64 vs 45, Misty is decisively the brighter choice.
Misty reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.
Misty reflects far more light (LRV 64 vs 7), opening up a space where Pine Needle encloses it.
Misty reflects far more light (LRV 64 vs 24), opening up a space where Cement grey encloses it.
Misty reads slightly lighter (LRV 64 vs 57), a gap that shows most in low-lit rooms.