Edgecomb Gray vs Dumpling
Edgecomb Gray (Benjamin Moore) and Dumpling (Sherwin-Williams) come from different manufacturers. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Their light reflectance values are nearly the same — 63 vs 64 — so neither will read significantly brighter or darker than the other. Where Edgecomb Gray leans red, Dumpling reads warm — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 1.2 puts them in subtle territory — distinguishable in direct comparison, less so from across a room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Edgecomb Gray vs Dumpling in Real Spaces
1 real room side by side. Edgecomb Gray and Dumpling are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Edgecomb Gray vs Dumpling Simulated Comparison
5 simulated room previews — drag the slider on each to see Edgecomb Gray on one side and Dumpling on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Edgecomb Gray comparisons
See how Edgecomb Gray stacks up against other well-photographed colors across different brands and tones.
A 6-point LRV gap (69 vs 63) makes Ammonite the marginally brighter of the two.
White Dove reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 6), opening up a space where Iron Ore encloses it.
A 11-point LRV gap (63 vs 52) makes Edgecomb Gray the marginally brighter of the two.
At LRV 63 vs 30, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 63 vs 60), so neither reads brighter in a room.
Edgecomb Gray reads slightly lighter (LRV 63 vs 58), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 27), opening up a space where Denim Drift encloses it.
At LRV 63 vs 43, Edgecomb Gray is decisively the brighter choice.
At LRV 63 vs 4, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reads slightly lighter (LRV 63 vs 55), a gap that shows most in low-lit rooms.
Edgecomb Gray reflects far more light (LRV 63 vs 13), opening up a space where Bancha encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 63, Pure White is decisively the brighter choice.
At LRV 63 vs 21, Edgecomb Gray is decisively the brighter choice.
With LRVs of 66 and 63, the two reflect almost the same amount of light.
Shoji White reads slightly lighter (LRV 74 vs 63), a gap that shows most in low-lit rooms.
Snowbound reflects far more light (LRV 83 vs 63), opening up a space where Edgecomb Gray encloses it.
At LRV 63 vs 51, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Pewter Green encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 63), a gap that shows most in low-lit rooms.
At LRV 63 vs 41, Edgecomb Gray is decisively the brighter choice.
Edgecomb Gray reflects far more light (LRV 63 vs 12), opening up a space where Vintage Vogue encloses it.
Edgecomb Gray reflects far more light (LRV 63 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 63 vs 31, Edgecomb Gray is decisively the brighter choice.