Sweet Innocence vs Dix Blue

Sweet InnocenceBenjamin MoorevsDix BlueFarrow & BallΔE 14.5Distinct difference

Sweet Innocence (Benjamin Moore) and Dix Blue (Farrow & Ball) come from different manufacturers. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. The 19-point LRV gap — 60 for Sweet Innocence vs 41 for Dix Blue — means Sweet Innocence will open up a space more effectively. Where Sweet Innocence leans blue, Dix Blue reads cool — a distinction that shifts noticeably depending on the light source and surrounding finishes. A ΔE of 14.5 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Sweet Innocence vs Dix Blue in Real Spaces

1 real room side by side. Seeing Sweet Innocence and Dix Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Bathroom

Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Sweet Innocence returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

Sweet InnocenceBenjamin Moore Sweet Innocence bathroom color

@monarchdesign_mp

Dix BlueDix Blue bathroom interior idea

@edwardian_semi_northwest

Color Details

Sweet Innocence
Benjamin Moore · 2125-50
Hex#C7CDD1
LRV60.0
BrandBenjamin Moore
Number2125-50
UndertoneBlue
TemperatureCool
BrightnessLight
Dix Blue
Farrow & Ball · 82
Hex#99b0ab
LRV41.0
BrandFarrow & Ball
Number82
Undertone
TemperatureCool
BrightnessMedium

Sweet Innocence vs Dix Blue Simulated Comparison

5 simulated room previews — drag the slider on each to see Sweet Innocence on one side and Dix Blue on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Sweet Innocence comparisons

See how Sweet Innocence stacks up against other well-photographed colors across different brands and tones.

Sweet Innocence
White Dove
Sweet Innocence
White Dove
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

White Dove reflects far more light (LRV 83 vs 60), opening up a space where Sweet Innocence encloses it.

Sweet Innocence
Ammonite
Sweet Innocence
Ammonite
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Farrow & Ball
Ammonite
LRV 69

A 9-point LRV gap (69 vs 60) makes Ammonite the marginally brighter of the two.

Sweet Innocence
Iron Ore
Sweet Innocence
Iron Ore
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 6), opening up a space where Iron Ore encloses it.

Sweet Innocence
Purbeck Stone
Sweet Innocence
Purbeck Stone
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

A 8-point LRV gap (60 vs 52) makes Sweet Innocence the marginally brighter of the two.

Sweet Innocence
Evergreen Fog
Sweet Innocence
Evergreen Fog
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 60 vs 30, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Mizzle
Sweet Innocence
Mizzle
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Farrow & Ball
Mizzle
LRV 52

Sweet Innocence reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.

Sweet Innocence
Agreeable Gray
Sweet Innocence
Agreeable Gray
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 60), so neither reads brighter in a room.

Sweet Innocence
Accessible Beige
Sweet Innocence
Accessible Beige
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

With LRVs of 60 and 58, the two reflect almost the same amount of light.

Sweet Innocence
Denim Drift
Sweet Innocence
Denim Drift
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 27), opening up a space where Denim Drift encloses it.

Sweet Innocence
French Gray
Sweet Innocence
French Gray
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 60 vs 43, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Naval
Sweet Innocence
Naval
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Sherwin-Williams
Naval
LRV 4

At LRV 60 vs 4, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Tranquil Dawn
Sweet Innocence
Tranquil Dawn
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.

Sweet Innocence
Bancha
Sweet Innocence
Bancha
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Farrow & Ball
Bancha
LRV 13

Sweet Innocence reflects far more light (LRV 60 vs 13), opening up a space where Bancha encloses it.

Sweet Innocence
Hardwick White
Sweet Innocence
Hardwick White
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 44), opening up a space where Hardwick White encloses it.

Sweet Innocence
Pure White
Sweet Innocence
Pure White
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 84 vs 60, Pure White is decisively the brighter choice.

Sweet Innocence
Artichoke
Sweet Innocence
Artichoke
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Sherwin-Williams
Artichoke
LRV 21

At LRV 60 vs 21, Sweet Innocence is decisively the brighter choice.

Balboa Mist
Sweet Innocence
Balboa Mist
Sweet Innocence
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Balboa Mist reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.

Sweet Innocence
Shoji White
Sweet Innocence
Shoji White
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Shoji White reflects far more light (LRV 74 vs 60), opening up a space where Sweet Innocence encloses it.

Sweet Innocence
Snowbound
Sweet Innocence
Snowbound
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 60), opening up a space where Sweet Innocence encloses it.

Sweet Innocence
Pewter Green
Sweet Innocence
Pewter Green
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 12), opening up a space where Pewter Green encloses it.

Sweet Innocence
Skimming Stone
Sweet Innocence
Skimming Stone
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Skimming Stone reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.

Sweet Innocence
Calamine
Sweet Innocence
Calamine
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Farrow & Ball
Calamine
LRV 68

A 8-point LRV gap (68 vs 60) makes Calamine the marginally brighter of the two.

Sweet Innocence
Treron
Sweet Innocence
Treron
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Farrow & Ball
Treron
LRV 25

At LRV 60 vs 25, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Vintage Vogue
Sweet Innocence
Vintage Vogue
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Sweet Innocence
Saybrook Sage
Sweet Innocence
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 45), opening up a space where Saybrook Sage encloses it.

Sweet Innocence
Pale Green
Sweet Innocence
Pale Green
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
RAL ClassicClassic
Pale Green
LRV 31

At LRV 60 vs 31, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Pine Needle
Sweet Innocence
Pine Needle
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 60 vs 7, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Cement grey
Sweet Innocence
Cement grey
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
RAL ClassicClassic
Cement grey
LRV 24

At LRV 60 vs 24, Sweet Innocence is decisively the brighter choice.

Guilford Green
Sweet Innocence
Guilford Green
Sweet Innocence
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 57), so neither reads brighter in a room.

Sweet Innocence
Just Walnut
Sweet Innocence
Just Walnut
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 72 vs 60, Just Walnut is decisively the brighter choice.