Sweet Innocence vs Snowbound
Where Sweet Innocence belongs to Benjamin Moore's range, Snowbound is a Sherwin-Williams color. Sweet Innocence reads as blue-grey, while Snowbound reads as beige-greige — two distinct hue families, not close cousins. Snowbound (LRV 83) reflects noticeably more light than Sweet Innocence (LRV 60), a difference of 23 points that becomes especially apparent in rooms with limited natural light. Sweet Innocence runs blue while Snowbound is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 12.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Sweet Innocence vs Snowbound in Real Spaces
1 real room side by side. Seeing Sweet Innocence and Snowbound in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Snowbound reflects noticeably more light off the walls, making the space read more open than Sweet Innocence.
Color Details
Sweet Innocence vs Snowbound Simulated Comparison
5 simulated room previews — drag the slider on each to see Sweet Innocence on one side and Snowbound on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Sweet Innocence comparisons
See how Sweet Innocence stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 60), opening up a space where Sweet Innocence encloses it.
A 9-point LRV gap (69 vs 60) makes Ammonite the marginally brighter of the two.
Sweet Innocence reflects far more light (LRV 60 vs 6), opening up a space where Iron Ore encloses it.
A 8-point LRV gap (60 vs 52) makes Sweet Innocence the marginally brighter of the two.
At LRV 60 vs 30, Sweet Innocence is decisively the brighter choice.
Sweet Innocence reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 60), so neither reads brighter in a room.
With LRVs of 60 and 58, the two reflect almost the same amount of light.
Sweet Innocence reflects far more light (LRV 60 vs 27), opening up a space where Denim Drift encloses it.
At LRV 60 vs 43, Sweet Innocence is decisively the brighter choice.
At LRV 60 vs 4, Sweet Innocence is decisively the brighter choice.
Sweet Innocence reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.
Sweet Innocence reflects far more light (LRV 60 vs 13), opening up a space where Bancha encloses it.
Sweet Innocence reflects far more light (LRV 60 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 60, Pure White is decisively the brighter choice.
At LRV 60 vs 21, Sweet Innocence is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 60), opening up a space where Sweet Innocence encloses it.
Sweet Innocence reflects far more light (LRV 60 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
At LRV 60 vs 41, Sweet Innocence is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Calamine the marginally brighter of the two.
At LRV 60 vs 25, Sweet Innocence is decisively the brighter choice.
Sweet Innocence reflects far more light (LRV 60 vs 12), opening up a space where Vintage Vogue encloses it.
Sweet Innocence reflects far more light (LRV 60 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 60 vs 31, Sweet Innocence is decisively the brighter choice.
At LRV 60 vs 7, Sweet Innocence is decisively the brighter choice.
At LRV 60 vs 24, Sweet Innocence is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 60 vs 57), so neither reads brighter in a room.
At LRV 72 vs 60, Just Walnut is decisively the brighter choice.