Tate Olive vs Pure White
Where Tate Olive belongs to Benjamin Moore's range, Pure White is a Sherwin-Williams color. Hue-wise, Tate Olive belongs to the greige-grey family and Pure White to the beige-greige family. Pure White (LRV 84) reflects noticeably more light than Tate Olive (LRV 22), a difference of 62 points that becomes especially apparent in rooms with limited natural light. Tate Olive runs yellow while Pure White is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 42.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Tate Olive vs Pure White in Real Spaces
4 real rooms side by side. Seeing Tate Olive and Pure White in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Pure White will make the room feel meaningfully brighter than Tate Olive would.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pure White reflects noticeably more light off the walls, making the space read more open than Tate Olive.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Pure White reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Pure White reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Color Details
Tate Olive vs Pure White Simulated Comparison
5 simulated room previews — drag the slider on each to see Tate Olive on one side and Pure White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tate Olive comparisons
See how Tate Olive stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Tate Olive encloses it.
At LRV 22 vs 6, Tate Olive is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Tate Olive encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Tate Olive encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Tate Olive encloses it.
Tate Olive reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Tate Olive the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Tate Olive encloses it.
Calamine reflects far more light (LRV 68 vs 22), opening up a space where Tate Olive encloses it.
Treron reads slightly lighter (LRV 25 vs 22), a gap that shows most in low-lit rooms.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
Tate Olive reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 24 and 22, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 22), opening up a space where Tate Olive encloses it.
Just Walnut reflects far more light (LRV 72 vs 22), opening up a space where Tate Olive encloses it.