Burnt Umber vs Scullery
Burnt Umber (Cloverdale Paint) and Scullery (Little Greene) come from different manufacturers. Hue-wise, Burnt Umber belongs to the beige-pink family and Scullery to the beige-greige family. Their light reflectance values are nearly the same — 9 vs 8 — so neither will read significantly brighter or darker than the other. ΔE 5.3 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Burnt Umber vs Scullery in Real Spaces
1 real room side by side. Burnt Umber and Scullery are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Burnt Umber vs Scullery Simulated Comparison
5 simulated room previews — drag the slider on each to see Burnt Umber on one side and Scullery on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Burnt Umber comparisons
See how Burnt Umber stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 83 vs 9, White Dove is decisively the brighter choice.
A 3-point LRV gap (9 vs 6) makes Burnt Umber the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 9), opening up a space where Burnt Umber encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 52 vs 9, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 58 vs 9, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 9, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 9), opening up a space where Burnt Umber encloses it.
Burnt Umber reads slightly lighter (LRV 9 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 9, Tranquil Dawn is decisively the brighter choice.
A 4-point LRV gap (13 vs 9) makes Bancha the marginally brighter of the two.
At LRV 44 vs 9, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 9), opening up a space where Burnt Umber encloses it.
Artichoke reflects far more light (LRV 21 vs 9), opening up a space where Burnt Umber encloses it.
At LRV 66 vs 9, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 9, Shoji White is decisively the brighter choice.
At LRV 83 vs 9, Snowbound is decisively the brighter choice.
Pigeon reflects far more light (LRV 51 vs 9), opening up a space where Burnt Umber encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 9 vs 8), so neither reads brighter in a room.
At LRV 68 vs 9, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 9), opening up a space where Burnt Umber encloses it.
Their light reflectance is nearly identical (LRV 12 vs 9), so neither reads brighter in a room.
At LRV 45 vs 9, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 9), opening up a space where Burnt Umber encloses it.