Grey Ware vs Pigeon
Grey Ware is a Cloverdale Paint color while Pigeon comes from Farrow & Ball. Hue-wise, Grey Ware belongs to the beige-greige family and Pigeon to the grey family. At LRV 70 vs 51, Grey Ware will read as the brighter of the two — a 19-point gap that matters most in north-facing or low-light rooms. At ΔE 21.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Grey Ware vs Pigeon in Real Spaces
3 real rooms side by side. Seeing Grey Ware and Pigeon in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Grey Ware returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Grey Ware will make the room feel meaningfully brighter than Pigeon would.
Color Details
Grey Ware vs Pigeon Simulated Comparison
5 simulated room previews — drag the slider on each to see Grey Ware on one side and Pigeon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Grey Ware comparisons
See how Grey Ware stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 70, White Dove is decisively the brighter choice.
Grey Ware reflects far more light (LRV 70 vs 52), opening up a space where Purbeck Stone encloses it.
Grey Ware reflects far more light (LRV 70 vs 30), opening up a space where Evergreen Fog encloses it.
Grey Ware reads slightly lighter (LRV 70 vs 60), a gap that shows most in low-lit rooms.
At LRV 70 vs 58, Grey Ware is decisively the brighter choice.
At LRV 70 vs 27, Grey Ware is decisively the brighter choice.
Grey Ware reflects far more light (LRV 70 vs 43), opening up a space where French Gray encloses it.
At LRV 70 vs 55, Grey Ware is decisively the brighter choice.
At LRV 70 vs 44, Grey Ware is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 70), opening up a space where Grey Ware encloses it.
A 4-point LRV gap (70 vs 66) makes Grey Ware the marginally brighter of the two.
A 4-point LRV gap (74 vs 70) makes Shoji White the marginally brighter of the two.
At LRV 70 vs 12, Grey Ware is decisively the brighter choice.
At LRV 70 vs 8, Grey Ware is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 70 vs 68), so neither reads brighter in a room.
At LRV 70 vs 12, Grey Ware is decisively the brighter choice.
At LRV 70 vs 45, Grey Ware is decisively the brighter choice.
Grey Ware reflects far more light (LRV 70 vs 31), opening up a space where Pale Green encloses it.
Grey Ware reflects far more light (LRV 70 vs 7), opening up a space where Pine Needle encloses it.