Grey Ware vs Hicks' Blue
Grey Ware (Cloverdale Paint) and Hicks' Blue (Little Greene) come from different manufacturers. Grey Ware reads as beige-greige, while Hicks' Blue reads as blue — two distinct hue families, not close cousins. Grey Ware has an LRV of 70. A ΔE of 53.4 puts these firmly in different territory — two distinct design choices rather than close alternatives. Below you'll find 3 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Grey Ware vs Hicks' Blue in Real Spaces
3 real rooms side by side. Seeing Grey Ware and Hicks' Blue in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Color Details
Grey Ware vs Hicks' Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Grey Ware on one side and Hicks' Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Grey Ware comparisons
See how Grey Ware stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 70, White Dove is decisively the brighter choice.
Grey Ware reflects far more light (LRV 70 vs 52), opening up a space where Purbeck Stone encloses it.
Grey Ware reflects far more light (LRV 70 vs 30), opening up a space where Evergreen Fog encloses it.
Grey Ware reads slightly lighter (LRV 70 vs 60), a gap that shows most in low-lit rooms.
At LRV 70 vs 58, Grey Ware is decisively the brighter choice.
At LRV 70 vs 27, Grey Ware is decisively the brighter choice.
Grey Ware reflects far more light (LRV 70 vs 43), opening up a space where French Gray encloses it.
At LRV 70 vs 55, Grey Ware is decisively the brighter choice.
At LRV 70 vs 44, Grey Ware is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 70), opening up a space where Grey Ware encloses it.
A 4-point LRV gap (70 vs 66) makes Grey Ware the marginally brighter of the two.
A 4-point LRV gap (74 vs 70) makes Shoji White the marginally brighter of the two.
At LRV 70 vs 12, Grey Ware is decisively the brighter choice.
At LRV 70 vs 8, Grey Ware is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 70 vs 68), so neither reads brighter in a room.
At LRV 70 vs 12, Grey Ware is decisively the brighter choice.
At LRV 70 vs 45, Grey Ware is decisively the brighter choice.
Grey Ware reflects far more light (LRV 70 vs 31), opening up a space where Pale Green encloses it.
Grey Ware reflects far more light (LRV 70 vs 7), opening up a space where Pine Needle encloses it.