Grey Ware vs Shoji White
Where Grey Ware belongs to Cloverdale Paint's range, Shoji White is a Sherwin-Williams color. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. Shoji White (LRV 74) reflects noticeably more light than Grey Ware (LRV 70), a difference of 4 points that becomes especially apparent in rooms with limited natural light. At ΔE 2.9, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Grey Ware vs Shoji White in Real Spaces
5 real rooms side by side. Grey Ware and Shoji White are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Shoji White gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Shoji White reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Shoji White reads slightly lighter here — a subtle but real difference in how open the space feels.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Shoji White has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Shoji White reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Grey Ware vs Shoji White Simulated Comparison
5 simulated room previews — drag the slider on each to see Grey Ware on one side and Shoji White on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Grey Ware comparisons
See how Grey Ware stacks up against other well-photographed colors across different brands and tones.


At LRV 83 vs 70, White Dove is decisively the brighter choice.


Grey Ware reflects far more light (LRV 70 vs 52), opening up a space where Purbeck Stone encloses it.


Grey Ware reflects far more light (LRV 70 vs 30), opening up a space where Evergreen Fog encloses it.


Grey Ware reads slightly lighter (LRV 70 vs 60), a gap that shows most in low-lit rooms.


At LRV 70 vs 58, Grey Ware is decisively the brighter choice.


At LRV 70 vs 27, Grey Ware is decisively the brighter choice.


Grey Ware reflects far more light (LRV 70 vs 43), opening up a space where French Gray encloses it.


At LRV 70 vs 55, Grey Ware is decisively the brighter choice.


At LRV 70 vs 44, Grey Ware is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 70), opening up a space where Grey Ware encloses it.


A 4-point LRV gap (70 vs 66) makes Grey Ware the marginally brighter of the two.


At LRV 70 vs 12, Grey Ware is decisively the brighter choice.


At LRV 70 vs 8, Grey Ware is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 70 vs 68), so neither reads brighter in a room.


At LRV 70 vs 12, Grey Ware is decisively the brighter choice.


At LRV 70 vs 45, Grey Ware is decisively the brighter choice.


Grey Ware reflects far more light (LRV 70 vs 31), opening up a space where Pale Green encloses it.


Grey Ware reflects far more light (LRV 70 vs 7), opening up a space where Pine Needle encloses it.

































