Dead Salmon vs RAL 150-M
Dead Salmon (Farrow & Ball) and RAL 150-M (RAL Effect) come from different manufacturers. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. The 3-point LRV gap — 36 for Dead Salmon vs 33 for RAL 150-M — means Dead Salmon will open up a space more effectively. ΔE 3.2 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Dead Salmon vs RAL 150-M in Real Spaces
4 real rooms side by side. Dead Salmon and RAL 150-M are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. Dead Salmon reads slightly lighter here — a subtle but real difference in how open the space feels.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. Dead Salmon has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. Dead Salmon has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Kitchen Cabinets
Cabinet color is always seen in context — against countertops, backsplash, and hardware — which amplifies undertone differences that might disappear on a plain wall. Dead Salmon has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Dead Salmon vs RAL 150-M Simulated Comparison
5 simulated room previews — drag the slider on each to see Dead Salmon on one side and RAL 150-M on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Dead Salmon comparisons
See how Dead Salmon stacks up against other well-photographed colors across different brands and tones.
At LRV 69 vs 36, Ammonite is decisively the brighter choice.
White Dove reflects far more light (LRV 83 vs 36), opening up a space where Dead Salmon encloses it.
Dead Salmon reflects far more light (LRV 36 vs 6), opening up a space where Iron Ore encloses it.
At LRV 52 vs 36, Purbeck Stone is decisively the brighter choice.
A 6-point LRV gap (36 vs 30) makes Dead Salmon the marginally brighter of the two.
Mizzle reflects far more light (LRV 52 vs 36), opening up a space where Dead Salmon encloses it.
At LRV 60 vs 36, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 36), opening up a space where Dead Salmon encloses it.
Dead Salmon reads slightly lighter (LRV 36 vs 27), a gap that shows most in low-lit rooms.
A 7-point LRV gap (43 vs 36) makes French Gray the marginally brighter of the two.
At LRV 36 vs 4, Dead Salmon is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 36), opening up a space where Dead Salmon encloses it.
Dead Salmon reflects far more light (LRV 36 vs 13), opening up a space where Bancha encloses it.
Hardwick White reads slightly lighter (LRV 44 vs 36), a gap that shows most in low-lit rooms.
At LRV 84 vs 36, Pure White is decisively the brighter choice.
At LRV 36 vs 21, Dead Salmon is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 36), opening up a space where Dead Salmon encloses it.
Shoji White reflects far more light (LRV 74 vs 36), opening up a space where Dead Salmon encloses it.
Snowbound reflects far more light (LRV 83 vs 36), opening up a space where Dead Salmon encloses it.
At LRV 51 vs 36, Pigeon is decisively the brighter choice.
Dead Salmon reflects far more light (LRV 36 vs 12), opening up a space where Pewter Green encloses it.
Dead Salmon reflects far more light (LRV 36 vs 8), opening up a space where Duck Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 36), opening up a space where Dead Salmon encloses it.
A 5-point LRV gap (41 vs 36) makes Dix Blue the marginally brighter of the two.
Dead Salmon reflects far more light (LRV 36 vs 12), opening up a space where Vintage Vogue encloses it.
Saybrook Sage reads slightly lighter (LRV 45 vs 36), a gap that shows most in low-lit rooms.
A 5-point LRV gap (36 vs 31) makes Dead Salmon the marginally brighter of the two.