Afternoon vs Naval

AfternoonSherwin-WilliamsvsNavalSherwin-WilliamsΔE 83.6Very different colors

Both from Sherwin-Williams's palette. Hue-wise, Afternoon belongs to the beige family and Naval to the blue family. Afternoon (LRV 65) reflects noticeably more light than Naval (LRV 4), a difference of 60 points that becomes especially apparent in rooms with limited natural light. Afternoon runs warm while Naval is decidedly cool, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 83.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Afternoon vs Naval in Real Spaces

8 real rooms side by side. Seeing Afternoon and Naval in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Afternoon will make the room feel meaningfully brighter than Naval would.

AfternoonA cozy living room painted in Afternoon

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NavalNaval SW 6244 by sherwin williams 6244 living room

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Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Afternoon reflects noticeably more light off the walls, making the space read more open than Naval.

AfternoonA moody bedroom painted in Afternoon

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NavalBy sherwin williams 6244 bedroom painted in Sherwin-Williams Naval

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Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Afternoon reflects noticeably more light off the walls, making the space read more open than Naval.

AfternoonAfternoon — vintage kitchen

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NavalSherwin Williams Naval by sherwin williams 6244 kitchen cabinets

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Dining Room

A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Afternoon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

AfternoonAfternoon paint in a mid century dining room

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NavalDark blue dining room interior Sherwin Williams Naval color

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Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Afternoon reflects noticeably more light off the walls, making the space read more open than Naval.

AfternoonAfternoon — modern luxury bathroom

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NavalBlue by sherwin williams 6244 bathroom in Naval by Sherwin Williams

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Home Office

The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Afternoon reflects noticeably more light off the walls, making the space read more open than Naval.

AfternoonSherwin-Williams Afternoon in a unique home office

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NavalSW 6244 by sherwin williams 6244 home office inspiration

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House

Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Afternoon reflects noticeably more light off the walls, making the space read more open than Naval.

AfternoonAfternoon color — modern luxury house inspiration

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NavalNaval by sherwin williams 6244 house color review

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Front Door

A front door is a focal point — small color differences read clearly at this concentrated scale. The LRV gap is large enough that Afternoon will make the room feel meaningfully brighter than Naval would.

Afternoonstylish front door featuring Afternoon by Sherwin-Williams

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NavalBlue by sherwin williams 6244 front door with Naval SW 6244

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Color Details

Afternoon
Sherwin-Williams · 6675
Hex#FBCB78
LRV64.6
BrandSherwin-Williams
Number6675
Undertone
TemperatureWarm
BrightnessLight
Naval
Sherwin-Williams · 6244
Hex#2F3D4C
LRV4.5
BrandSherwin-Williams
Number6244
Undertone
TemperatureCool
BrightnessDark

Afternoon vs Naval Simulated Comparison

5 simulated room previews — drag the slider on each to see Afternoon on one side and Naval on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Afternoon comparisons

See how Afternoon stacks up against other well-photographed colors across different brands and tones.

White Dove
Afternoon
White Dove
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 83 vs 65, White Dove is decisively the brighter choice.

Ammonite
Afternoon
Ammonite
Afternoon
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Afternoon
6675 · LRV 65

Ammonite reads slightly lighter (LRV 69 vs 65), a gap that shows most in low-lit rooms.

Afternoon
Iron Ore
Afternoon
Iron Ore
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 6, Afternoon is decisively the brighter choice.

Purbeck Stone
Afternoon
Purbeck Stone
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 52), opening up a space where Purbeck Stone encloses it.

Afternoon
Evergreen Fog
Afternoon
Evergreen Fog
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 30), opening up a space where Evergreen Fog encloses it.

Mizzle
Afternoon
Mizzle
Afternoon
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 52, Afternoon is decisively the brighter choice.

Afternoon
Agreeable Gray
Afternoon
Agreeable Gray
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.

Accessible Beige
Afternoon
Accessible Beige
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

A 7-point LRV gap (65 vs 58) makes Afternoon the marginally brighter of the two.

Denim Drift
Afternoon
Denim Drift
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 27, Afternoon is decisively the brighter choice.

French Gray
Afternoon
French Gray
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 43), opening up a space where French Gray encloses it.

Tranquil Dawn
Afternoon
Tranquil Dawn
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

A 10-point LRV gap (65 vs 55) makes Afternoon the marginally brighter of the two.

Bancha
Afternoon
Bancha
Afternoon
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 13, Afternoon is decisively the brighter choice.

Hardwick White
Afternoon
Hardwick White
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 44, Afternoon is decisively the brighter choice.

Afternoon
Pure White
Afternoon
Pure White
Sherwin-Williams
Afternoon
6675 · LRV 65

Pure White reflects far more light (LRV 84 vs 65), opening up a space where Afternoon encloses it.

Afternoon
Artichoke
Afternoon
Artichoke
Sherwin-Williams
Afternoon
6675 · LRV 65
Sherwin-Williams
Artichoke
LRV 21

Afternoon reflects far more light (LRV 65 vs 21), opening up a space where Artichoke encloses it.

Balboa Mist
Afternoon
Balboa Mist
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Their light reflectance is nearly identical (LRV 66 vs 65), so neither reads brighter in a room.

Afternoon
Shoji White
Afternoon
Shoji White
Sherwin-Williams
Afternoon
6675 · LRV 65

A 10-point LRV gap (74 vs 65) makes Shoji White the marginally brighter of the two.

Afternoon
Snowbound
Afternoon
Snowbound
Sherwin-Williams
Afternoon
6675 · LRV 65
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 65, Snowbound is decisively the brighter choice.

Afternoon
Pewter Green
Afternoon
Pewter Green
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 12, Afternoon is decisively the brighter choice.

Skimming Stone
Afternoon
Skimming Stone
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

A 4-point LRV gap (68 vs 65) makes Skimming Stone the marginally brighter of the two.

Dix Blue
Afternoon
Dix Blue
Afternoon
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 41), opening up a space where Dix Blue encloses it.

Calamine
Afternoon
Calamine
Afternoon
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Afternoon
6675 · LRV 65

With LRVs of 68 and 65, the two reflect almost the same amount of light.

Treron
Afternoon
Treron
Afternoon
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 25), opening up a space where Treron encloses it.

Vintage Vogue
Afternoon
Vintage Vogue
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 12, Afternoon is decisively the brighter choice.

Saybrook Sage
Afternoon
Saybrook Sage
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

At LRV 65 vs 45, Afternoon is decisively the brighter choice.

Pale Green
Afternoon
Pale Green
Afternoon
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 31), opening up a space where Pale Green encloses it.

Pine Needle
Afternoon
Pine Needle
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Afternoon
Cement grey
Afternoon
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reflects far more light (LRV 65 vs 24), opening up a space where Cement grey encloses it.

Guilford Green
Afternoon
Guilford Green
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Afternoon reads slightly lighter (LRV 65 vs 57), a gap that shows most in low-lit rooms.

Just Walnut
Afternoon
Just Walnut
Afternoon
Sherwin-Williams
Afternoon
6675 · LRV 65

Just Walnut reads slightly lighter (LRV 72 vs 65), a gap that shows most in low-lit rooms.