Aged Wine vs Blackberry
Both are Sherwin-Williams colors. Both sit in the pink family, which is useful context if you're narrowing within a single hue direction. At LRV 13 vs 5, Aged Wine will read as the brighter of the two — a 8-point gap that matters most in north-facing or low-light rooms. The tonal difference — Aged Wine's warm character against Blackberry's cool — becomes most visible against white trim or in morning light. At ΔE 18.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Aged Wine vs Blackberry in Real Spaces
4 real rooms side by side. Seeing Aged Wine and Blackberry in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Aged Wine gives the walls a little more lift.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. Aged Wine reads slightly lighter here — a subtle but real difference in how open the space feels.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Aged Wine has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Aged Wine vs Blackberry Simulated Comparison
5 simulated room previews — drag the slider on each to see Aged Wine on one side and Blackberry on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Aged Wine comparisons
See how Aged Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where Aged Wine encloses it.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Aged Wine encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where Aged Wine encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Aged Wine encloses it.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Aged Wine encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Aged Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Aged Wine encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.
A 6-point LRV gap (13 vs 7) makes Aged Wine the marginally brighter of the two.
A 12-point LRV gap (24 vs 13) makes Cement grey the marginally brighter of the two.
At LRV 57 vs 13, Guilford Green is decisively the brighter choice.