Aged Wine vs Tradewind
Both are Sherwin-Williams colors. Hue-wise, Aged Wine belongs to the pink family and Tradewind to the blue-grey family. At LRV 61 vs 13, Tradewind will read as the brighter of the two — a 48-point gap that matters most in north-facing or low-light rooms. The tonal difference — Aged Wine's warm character against Tradewind's cool — becomes most visible against white trim or in morning light. At ΔE 49.2, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 8 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Aged Wine vs Tradewind in Real Spaces
8 real rooms side by side. Seeing Aged Wine and Tradewind in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Tradewind returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The LRV gap is large enough that Tradewind will make the room feel meaningfully brighter than Aged Wine would.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The LRV gap is large enough that Tradewind will make the room feel meaningfully brighter than Aged Wine would.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The LRV gap is large enough that Tradewind will make the room feel meaningfully brighter than Aged Wine would.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The LRV gap is large enough that Tradewind will make the room feel meaningfully brighter than Aged Wine would.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. Tradewind reflects noticeably more light off the walls, making the space read more open than Aged Wine.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The LRV gap is large enough that Tradewind will make the room feel meaningfully brighter than Aged Wine would.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Tradewind returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
Color Details
Aged Wine vs Tradewind Simulated Comparison
5 simulated room previews — drag the slider on each to see Aged Wine on one side and Tradewind on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Aged Wine comparisons
See how Aged Wine stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 13), opening up a space where Aged Wine encloses it.
At LRV 52 vs 13, Purbeck Stone is decisively the brighter choice.
At LRV 30 vs 13, Evergreen Fog is decisively the brighter choice.
At LRV 60 vs 13, Agreeable Gray is decisively the brighter choice.
Accessible Beige reflects far more light (LRV 58 vs 13), opening up a space where Aged Wine encloses it.
Denim Drift reflects far more light (LRV 27 vs 13), opening up a space where Aged Wine encloses it.
At LRV 43 vs 13, French Gray is decisively the brighter choice.
Tranquil Dawn reflects far more light (LRV 55 vs 13), opening up a space where Aged Wine encloses it.
Hardwick White reflects far more light (LRV 44 vs 13), opening up a space where Aged Wine encloses it.
At LRV 84 vs 13, Pure White is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 13), opening up a space where Aged Wine encloses it.
Shoji White reflects far more light (LRV 74 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Aged Wine reads slightly lighter (LRV 13 vs 8), a gap that shows most in low-lit rooms.
Skimming Stone reflects far more light (LRV 68 vs 13), opening up a space where Aged Wine encloses it.
With LRVs of 13 and 12, the two reflect almost the same amount of light.
Saybrook Sage reflects far more light (LRV 45 vs 13), opening up a space where Aged Wine encloses it.
At LRV 31 vs 13, Pale Green is decisively the brighter choice.