Antiquity vs Different Gold
Both are Sherwin-Williams colors. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. At LRV 39 vs 32, Antiquity will read as the brighter of the two — a 7-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. At ΔE 8.3, the difference is perceptible but not dramatic — the two can work harmoniously in the same space. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Antiquity vs Different Gold in Real Spaces
10 real rooms side by side. Antiquity and Different Gold are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Antiquity has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — Antiquity gives the walls a little more lift.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The brightness difference is modest but present — Antiquity gives the walls a little more lift.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. Antiquity reads slightly lighter here — a subtle but real difference in how open the space feels.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — Antiquity gives the walls a little more lift.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The brightness difference is modest but present — Antiquity gives the walls a little more lift.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. Antiquity reads slightly lighter here — a subtle but real difference in how open the space feels.
Patio
Patio colors are seen under changing outdoor light throughout the day — morning, midday, and golden hour each reveal different qualities. Antiquity reads slightly lighter here — a subtle but real difference in how open the space feels.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The brightness difference is modest but present — Antiquity gives the walls a little more lift.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Antiquity has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
Antiquity vs Different Gold Simulated Comparison
5 simulated room previews — drag the slider on each to see Antiquity on one side and Different Gold on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Antiquity comparisons
See how Antiquity stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 39, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 39), opening up a space where Antiquity encloses it.
Antiquity reads slightly lighter (LRV 39 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 39), opening up a space where Antiquity encloses it.
At LRV 58 vs 39, Accessible Beige is decisively the brighter choice.
A 12-point LRV gap (39 vs 27) makes Antiquity the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 39), a gap that shows most in low-lit rooms.
At LRV 55 vs 39, Tranquil Dawn is decisively the brighter choice.
A 5-point LRV gap (44 vs 39) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 39), opening up a space where Antiquity encloses it.
At LRV 66 vs 39, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 39, Shoji White is decisively the brighter choice.
At LRV 39 vs 12, Antiquity is decisively the brighter choice.
At LRV 68 vs 39, Skimming Stone is decisively the brighter choice.
At LRV 39 vs 12, Antiquity is decisively the brighter choice.
A 7-point LRV gap (45 vs 39) makes Saybrook Sage the marginally brighter of the two.
Antiquity reads slightly lighter (LRV 39 vs 31), a gap that shows most in low-lit rooms.
Antiquity reflects far more light (LRV 39 vs 7), opening up a space where Pine Needle encloses it.
Antiquity reflects far more light (LRV 39 vs 24), opening up a space where Cement grey encloses it.
Guilford Green reflects far more light (LRV 57 vs 39), opening up a space where Antiquity encloses it.