Audrey's Blush vs Carley's Rose paint color comparison

Audrey's Blush vs Carley's Rose

Both from Sherwin-Williams's palette. These are both pinks, so the question isn't which hue to choose — it's where within pink to land. Audrey's Blush (LRV 26) reflects noticeably more light than Carley's Rose (LRV 22), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. The ΔE 6.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.

Audrey's Blush vs Carley's Rose in Real Spaces

10 real rooms side by side. Audrey's Blush and Carley's Rose are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Living Room

In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Audrey's Blush gives the walls a little more lift.

Audrey's BlushA minimalist living room painted in Audrey's Blush

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Carley's RoseA hollywood regency living room painted in Carley's Rose

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Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Audrey's Blush reads slightly lighter here — a subtle but real difference in how open the space feels.

Audrey's BlushA organic modern bedroom painted in Audrey's Blush

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Carley's RoseA scandinavian bedroom painted in Carley's Rose

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Kitchen

In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Audrey's Blush reads slightly lighter here — a subtle but real difference in how open the space feels.

Audrey's BlushAudrey's Blush — modern luxury kitchen

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Carley's RoseCarley's Rose — industrial kitchen

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Dining Room

A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Audrey's Blush has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Audrey's BlushAudrey's Blush paint in a boho dining room

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Carley's RoseCarley's Rose paint in a contemporary dining room

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Bathroom

Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Audrey's Blush reads slightly lighter here — a subtle but real difference in how open the space feels.

Audrey's BlushAudrey's Blush — wabi-sabi bathroom

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Carley's RoseCarley's Rose — japandi bathroom

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Home Office

The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Audrey's Blush reads slightly lighter here — a subtle but real difference in how open the space feels.

Audrey's BlushSherwin-Williams Audrey's Blush in a unique home office

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Carley's RoseSherwin-Williams Carley's Rose in a warm home office

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Mudroom

Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Audrey's Blush has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Audrey's BlushAudrey's Blush paint in a coastal mudroom

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Carley's RoseCarley's Rose paint in a traditional mudroom

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Patio

Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. Audrey's Blush has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.

Audrey's Blushcontemporary patio featuring Audrey's Blush by Sherwin-Williams

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Carley's Rosewarm patio featuring Carley's Rose by Sherwin-Williams

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House

Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Audrey's Blush reads slightly lighter here — a subtle but real difference in how open the space feels.

Audrey's BlushAudrey's Blush color — rustic modern house inspiration

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Carley's RoseCarley's Rose color — transitional house inspiration

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Front Door

A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Audrey's Blush gives the walls a little more lift.

Audrey's Blushscandinavian front door featuring Audrey's Blush by Sherwin-Williams

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Carley's Rosebold front door featuring Carley's Rose by Sherwin-Williams

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Color Details

Audrey's Blush
Sherwin-Williams · 9001
Hex#AE8087
LRV26.3
BrandSherwin-Williams
Number9001
Undertone
TemperatureWarm
BrightnessMedium
Carley's Rose
Sherwin-Williams · 9002
Hex#A87376
LRV21.9
BrandSherwin-Williams
Number9002
Undertone
TemperatureWarm
BrightnessMedium

Audrey's Blush vs Carley's Rose Simulated Comparison

5 simulated room previews — drag the slider on each to see Audrey's Blush on one side and Carley's Rose on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Audrey's Blush comparisons

See how Audrey's Blush stacks up against other well-photographed colors across different brands and tones.

White Dove
Audrey's Blush
White Dove
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 83 vs 26, White Dove is decisively the brighter choice.

Ammonite
Audrey's Blush
Ammonite
Audrey's Blush
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Ammonite reflects far more light (LRV 69 vs 26), opening up a space where Audrey's Blush encloses it.

Audrey's Blush
Iron Ore
Audrey's Blush
Iron Ore
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 26 vs 6, Audrey's Blush is decisively the brighter choice.

Purbeck Stone
Audrey's Blush
Purbeck Stone
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Purbeck Stone reflects far more light (LRV 52 vs 26), opening up a space where Audrey's Blush encloses it.

Audrey's Blush
Evergreen Fog
Audrey's Blush
Evergreen Fog
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Evergreen Fog reads slightly lighter (LRV 30 vs 26), a gap that shows most in low-lit rooms.

Mizzle
Audrey's Blush
Mizzle
Audrey's Blush
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 52 vs 26, Mizzle is decisively the brighter choice.

Agreeable Gray
Audrey's Blush
Agreeable Gray
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Agreeable Gray reflects far more light (LRV 60 vs 26), opening up a space where Audrey's Blush encloses it.

Accessible Beige
Audrey's Blush
Accessible Beige
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 58 vs 26, Accessible Beige is decisively the brighter choice.

Denim Drift
Audrey's Blush
Denim Drift
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Their light reflectance is nearly identical (LRV 27 vs 26), so neither reads brighter in a room.

French Gray
Audrey's Blush
French Gray
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

French Gray reflects far more light (LRV 43 vs 26), opening up a space where Audrey's Blush encloses it.

Audrey's Blush
Naval
Audrey's Blush
Naval
Sherwin-Williams
Audrey's Blush
9001 · LRV 26
Sherwin-Williams
Naval
LRV 4

Audrey's Blush reflects far more light (LRV 26 vs 4), opening up a space where Naval encloses it.

Tranquil Dawn
Audrey's Blush
Tranquil Dawn
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 55 vs 26, Tranquil Dawn is decisively the brighter choice.

Bancha
Audrey's Blush
Bancha
Audrey's Blush
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 26 vs 13, Audrey's Blush is decisively the brighter choice.

Hardwick White
Audrey's Blush
Hardwick White
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 44 vs 26, Hardwick White is decisively the brighter choice.

Audrey's Blush
Pure White
Audrey's Blush
Pure White
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Pure White reflects far more light (LRV 84 vs 26), opening up a space where Audrey's Blush encloses it.

Artichoke
Audrey's Blush
Artichoke
Audrey's Blush
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Audrey's Blush reads slightly lighter (LRV 26 vs 21), a gap that shows most in low-lit rooms.

Balboa Mist
Audrey's Blush
Balboa Mist
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 66 vs 26, Balboa Mist is decisively the brighter choice.

Audrey's Blush
Shoji White
Audrey's Blush
Shoji White
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 74 vs 26, Shoji White is decisively the brighter choice.

Audrey's Blush
Snowbound
Audrey's Blush
Snowbound
Sherwin-Williams
Audrey's Blush
9001 · LRV 26
Sherwin-Williams
Snowbound
LRV 83

At LRV 83 vs 26, Snowbound is decisively the brighter choice.

Audrey's Blush
Pewter Green
Audrey's Blush
Pewter Green
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 26 vs 12, Audrey's Blush is decisively the brighter choice.

Skimming Stone
Audrey's Blush
Skimming Stone
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 68 vs 26, Skimming Stone is decisively the brighter choice.

Dix Blue
Audrey's Blush
Dix Blue
Audrey's Blush
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Dix Blue reflects far more light (LRV 41 vs 26), opening up a space where Audrey's Blush encloses it.

Calamine
Audrey's Blush
Calamine
Audrey's Blush
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Calamine reflects far more light (LRV 68 vs 26), opening up a space where Audrey's Blush encloses it.

Treron
Audrey's Blush
Treron
Audrey's Blush
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

With LRVs of 26 and 25, the two reflect almost the same amount of light.

Vintage Vogue
Audrey's Blush
Vintage Vogue
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 26 vs 12, Audrey's Blush is decisively the brighter choice.

Saybrook Sage
Audrey's Blush
Saybrook Sage
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

At LRV 45 vs 26, Saybrook Sage is decisively the brighter choice.

Pale Green
Audrey's Blush
Pale Green
Audrey's Blush
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Pale Green reads slightly lighter (LRV 31 vs 26), a gap that shows most in low-lit rooms.

Pine Needle
Audrey's Blush
Pine Needle
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Audrey's Blush reflects far more light (LRV 26 vs 7), opening up a space where Pine Needle encloses it.

Cement grey
Audrey's Blush
Cement grey
Audrey's Blush
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

With LRVs of 26 and 24, the two reflect almost the same amount of light.

Guilford Green
Audrey's Blush
Guilford Green
Audrey's Blush
Sherwin-Williams
Audrey's Blush
9001 · LRV 26

Guilford Green reflects far more light (LRV 57 vs 26), opening up a space where Audrey's Blush encloses it.