Tate Olive vs Pigeon
Where Tate Olive belongs to Benjamin Moore's range, Pigeon is a Farrow & Ball color. Hue-wise, Tate Olive belongs to the greige-grey family and Pigeon to the grey family. Pigeon (LRV 51) reflects noticeably more light than Tate Olive (LRV 22), a difference of 29 points that becomes especially apparent in rooms with limited natural light. Tate Olive runs yellow while Pigeon is decidedly neutral, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 14.8, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Tate Olive vs Pigeon in Real Spaces
5 real rooms side by side. Seeing Tate Olive and Pigeon in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Pigeon will make the room feel meaningfully brighter than Tate Olive would.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Pigeon reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Pigeon returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Pigeon reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Kitchen Cabinets
Kitchen cabinets are constantly compared against adjacent materials, which means subtle differences between these two become much more visible. Pigeon reflects noticeably more light off the walls, making the space read more open than Tate Olive.
Color Details
Tate Olive vs Pigeon Simulated Comparison
5 simulated room previews — drag the slider on each to see Tate Olive on one side and Pigeon on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Tate Olive comparisons
See how Tate Olive stacks up against other well-photographed colors across different brands and tones.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Tate Olive encloses it.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
At LRV 22 vs 6, Tate Olive is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Tate Olive encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Tate Olive encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Tate Olive encloses it.
Tate Olive reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Tate Olive the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Tate Olive encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 22 vs 8, Tate Olive is decisively the brighter choice.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Tate Olive encloses it.
A 10-point LRV gap (22 vs 12) makes Tate Olive the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
Tate Olive reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.